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Photo Mug : The Camelopard, or a New Hobby, 1827 (colour engraving)
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The Camelopard, or a New Hobby, 1827 (colour engraving)
XCF290991 The Camelopard, or a New Hobby, 1827 (colour engraving) by Heath, William (1795-1840); University Library, Princeton, New Jersey, USA; (add.info.: George IV (1762-1830) and Lady Conyngham; ); English, out of copyright
Media ID 18254827
© University Library, Princeton, New Jersey, USA / Bridgeman Images
Bowing Camel Courtier Gift Giraffe Hanoverian Hybrid Leopard Mistress Prinny Servants Egyptians
Large Photo Mug (15 oz)
Bring your favorite artwork to life with our Media Storehouse Photo Mugs. This unique mug features a stunning color engraving of "The Camelopard, or a New Hobby," an exquisite piece by William Heath from 1827, available through Bridgeman Images and Fine Art Finder. Each mug is expertly printed with high-quality, vibrant images, ensuring your favorite art becomes a cherished part of your daily routine. Perfect for tea or coffee, these mugs make for a thoughtful gift or a delightful addition to your own collection. Embrace the beauty of art in every sip.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
These are individually made so all sizes are approximate
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The Camelopard - A Whimsical Encounter of Royalty and Exoticism
EDITORS COMMENTS
. In this 1827 colour engraving titled "The Camelopard, or a New Hobby" we are transported back to the Georgian era, where satire and caricature thrived. The print depicts an extraordinary scene featuring George IV (1762-1830), known as Prinny, and Lady Conyngham engaging in a peculiar pastime. Amidst a backdrop of opulent surroundings, the central focus is on a magnificent hybrid creature - part leopard, part giraffe - playfully referred to as the "cameleopard". This whimsical creation symbolizes the fascination with exotic animals that permeated European courts during this time. George IV can be seen mounted atop this fantastical beast while Lady Conyngham stands nearby, both adorned in lavish attire. Their expressions suggest delight and amusement at their newfound hobby. Surrounding them are servants dressed as Egyptians, adding an air of mystique to the scene. This satirical print not only pokes fun at George IV's extravagant tastes but also serves as commentary on his relationship with Lady Conyngham. It hints at her influence over him by presenting her as his mistress through subtle gestures such as her receiving a gift from one of the servants. "The Camelopard" offers us a glimpse into the world of Georgian court life while simultaneously inviting us to reflect on themes of power dynamics, indulgence, and cultural appropriation prevalent during that era.
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