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Photo Mug : Returning from Brookss, 1784 (colour etching)
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Returning from Brookss, 1784 (colour etching)
XCF290978 Returning from Brooks s, 1784 (colour etching) by Gillray, James (1757-1815); Private Collection; (add.info.: the Prince of Wales, later George IV (1762-1830) supported out of Brooks Gentlemans Club by Charles James Fox (1749-1806) and a patriotic publican; ); English, out of copyright
Media ID 12793401
© www.bridgemanimages.com
Alcoholism Badge Canvassing Caring Carried Dishevelled Dissolute Drunk Election Excess Hanoverian Inebriated Inebriation Over Indulgence Patriot Pointing Prinny Supporting Unkempt Vice Votes Weak Weakness
Large Photo Mug (15 oz)
Bring your favorite works of art into your daily routine with Media Storehouse's Photo Mugs. This exquisite mug features "Returning from Brooks, 1784" by James Gillray, an intricately detailed color etching from Bridgeman Images. Add a touch of fine art to your morning coffee or evening tea, and relish the beauty of this masterpiece every time you take a sip. A perfect gift for art lovers or as a treat for yourself. Experience the joy of art in a whole new way with Media Storehouse Photo Mugs.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
These are individually made so all sizes are approximate
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EDITORS COMMENTS
Returning from Brooks, 1784 (colour etching) captures a moment of political revelry and excess in the Georgian era. In this satirical caricature by James Gillray, we witness an inebriated Prince of Wales, later known as George IV, being supported by Charles James Fox and a patriotic publican. The image portrays the Prince as disheveled and unkempt, pointing towards his loyal supporters while wearing a badge symbolizing his election campaign. His drunken state is evident through his unsteady posture and dissolute expression. This cartoon-like portrayal highlights the vices associated with alcoholism and overindulgence that plagued the royal figure. Gillray's work not only mocks the Prince's weakness for excessive drinking but also comments on the political landscape of the time. The artist cleverly depicts how politicians like Fox would go to great lengths to secure votes during elections, even if it meant supporting an intoxicated candidate. This print serves as both a historical document capturing an important moment in British politics and a social commentary on moral decay within high society. It reminds us of how power can be compromised when individuals succumb to their weaknesses. Now part of a private collection, this artwork continues to fascinate viewers with its vivid depiction of political intrigue intertwined with personal flaws.
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