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Photo Mug : Medusa, c. 1854 (marble)
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Medusa, c. 1854 (marble)
5910674 Medusa, c.1854 (marble) by Hosmer, Harriet Goodhue (1830-1908); 69.2x53.3x24.1 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: At a time when less than 1 percent of American women went to college, Harriet Goodhue Hosmer studied anatomy and moved to Rome to study sculpture. In 1858 she established her own sculpture studio in Rome, leading a team of more than twenty men. Hosmer often depicted strong female figures. In Greek mythology, Medusa was a beautiful woman whom the gods transformed into a Gorgon, a creature with snakes for hair, whose gaze turned those who looked at her to stone. Hosmers compassionate rendering shows Medusas transformation in progress, snakes intertwined with her lovely hair.); eMinneapolis Institute of Art; The Walter C. and Mary C. Briggs Purchase Fund; American, out of copyright
Media ID 22564688
© Minneapolis Institute of Art The Walter C. and Mary C. Briggs Purchase Fund / Bridgeman Images
Bare Breasts Fearsome Feminism Feminist Femme Fatale Fierce Gorgon Medusa Metamorphosis Monstrous Punished Transformation Monster Neo Classical Neoclassical Punishment Serpent Snakes
Large Photo Mug (15 oz)
Bring the captivating allure of mythology to your daily routine with our Media Storehouse Photo Mugs featuring the iconic image of Medusa, the legendary Gorgon from Greek mythology. This exquisite design, inspired by the marble sculpture created by Harriet Goodhue Hosmer in 1854, showcases Medusa's mesmerizing gaze, as captured in the captivating 5910674 image from Bridgeman Images and Fine Art Finder. Each mug holds your favorite beverage, making it an enchanting addition to your morning coffee or an intriguing conversation starter at the office. Embrace the power of mythology and add a touch of ancient art to your day with our Photo Mugs.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
These are individually made so all sizes are approximate
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> Greek mythology
EDITORS COMMENTS
This print showcases the exquisite sculpture "Medusa" created by Harriet Goodhue Hosmer in 1854. Despite societal limitations for women at the time, Hosmer defied expectations and pursued her passion for art, studying anatomy and becoming a renowned sculptor. The piece is housed in the Minneapolis Institute of Arts, where it continues to captivate viewers with its intricate details. In Greek mythology, Medusa was once a beautiful woman who was transformed into a fearsome Gorgon with snakes for hair. In this artwork, Hosmer beautifully captures Medusa's transformation in progress, as serpents intertwine with her lovely locks. The artist's compassionate rendering allows us to witness the metamorphosis firsthand. Hosmer's depiction of Medusa not only highlights her artistic skill but also reflects her inclination towards portraying strong female figures. This portrayal aligns with feminist ideals and challenges traditional notions of beauty and power. The sculpture exudes both fierceness and vulnerability simultaneously - a testament to Hosmer's mastery over neoclassical aesthetics. With bare breasts symbolizing punishment and monstrous features representing Medusa's curse, this artwork delves deep into mythological symbolism. As we gaze upon this remarkable piece, we are reminded of Harriet Goodhue Hosmer's groundbreaking achievements as an artist and pioneer for women in the field of sculpture. Her dedication to her craft shines through every delicate detail captured within this photograph print from Fine Art Finder.
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