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Photo Mug : Acrasia, c. 1888 (oil and gold paint on canvas)

Acrasia, c. 1888 (oil and gold paint on canvas)




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Acrasia, c. 1888 (oil and gold paint on canvas)

PNH366435 Acrasia, c.1888 (oil and gold paint on canvas) by Strudwick, John Melhuish (1849-1937); 70.5x56.5 cm; Private Collection; (add.info.: Acrasia, the enchantress of Book II of Edmund Spensers The Faerie Queene (1570), and a victim in the Bower of Bliss ; ); Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Media ID 23488084

© Peter Nahum at The Leicester Galleries, London / Bridgeman Images

Caressing Evil Fatal Femme Fatale Goblet Handmaidens Harp Lust Lute Lyre Magic Potion Reclining Roses Seduction Sensual Sensuality Singing Spell Swooning Trap Vice Viol Weakness Entrapment Pre Raphaelite


Large Photo Mug (15 oz)

Bring the timeless beauty of art into your daily routine with Media Storehouse's Photo Mugs. Featuring an exquisite image of Acrasia, c.1888 by John Melhuish Strudwick from Bridgeman Images and Fine Art Finder. This stunning oil and gold paint on canvas masterpiece, dating back to 1888, is now transformed into a functional and stylish mug. Each mug is printed with high-quality, vibrant, and long-lasting images, ensuring your favorite artwork is always within reach. Enjoy your favorite beverage while admiring the captivating details of this private collection piece. A perfect gift for art lovers and collectors alike.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

These are individually made so all sizes are approximate


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > George Edmund Butler

> Fine Art Finder > Artists > John Melhuish Strudwick

> Fine Art Finder > Literature

> Arts > Art Movements > Landscapes

> Arts > Artists > B > John Bower

> Arts > Artists > S > John Melhuish Strudwick

> Arts > Landscape paintings > Landscape art

> Arts > Still life artwork > Landscape paintings > Floral paintings

> Arts > Still life artwork > Oil paintings > Floral artwork

> Arts > Still life artwork > Oil paintings > Landscape paintings

> Arts > Portraits > Landscape paintings > Fine art gallery

> Arts > Portraits > Landscape paintings > Oil paintings

> Arts > Realistic drawings > Landscape paintings > Fine art


EDITORS COMMENTS
This print showcases John Melhuish Strudwick's masterpiece, "Acrasia" painted in 1888. The oil and gold paint on canvas bring to life the enchantress Acrasia from Edmund Spenser's renowned work, "The Faerie Queene". Measuring 70.5x56.5 cm, this artwork is held in a private collection. In this mesmerizing scene, we witness Acrasia as both seductive and vulnerable. Surrounded by a lush garden filled with sensual flowers and fruits, she reclines gracefully while playing her harp and singing sweet melodies. Her beauty is undeniable, but it conceals a fatal weakness that lures unsuspecting knights into her trap. The painting exudes an aura of magic and temptation as Acrasia casts her spell over all who encounter her. With a sword resting beside her shield and armor nearby, she symbolizes the danger that lies beneath her seemingly innocent facade. Strudwick's attention to detail is evident in every brushstroke - from the delicate caressing of musical instruments like the lute and viol to the intricate botanical elements that add depth to the composition. "Acrasia" embodies the essence of femme fatale - an irresistible temptress whose allure leads men astray. This Pre-Raphaelite masterpiece explores themes of lust, entrapment, and sensuality through its exquisite portrayal of beauty corrupted by evil. As we gaze upon this extraordinary piece of art captured by ePeter Nahum at

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