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Metal Print : Acrasia, c. 1888 (oil and gold paint on canvas)
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Acrasia, c. 1888 (oil and gold paint on canvas)
PNH366435 Acrasia, c.1888 (oil and gold paint on canvas) by Strudwick, John Melhuish (1849-1937); 70.5x56.5 cm; Private Collection; (add.info.: Acrasia, the enchantress of Book II of Edmund Spensers The Faerie Queene (1570), and a victim in the Bower of Bliss ; ); Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright
Media ID 23488084
© Peter Nahum at The Leicester Galleries, London / Bridgeman Images
Caressing Evil Fatal Femme Fatale Goblet Handmaidens Harp Lust Lute Lyre Magic Potion Reclining Roses Seduction Sensual Sensuality Singing Spell Swooning Trap Vice Viol Weakness Entrapment Pre Raphaelite
16"x20" (51x41cm) Metal Print
Bring the captivating allure of John Melhuish Strudwick's Acrasia, c.1888 into your home with our Media Storehouse Metal Prints. This exquisite oil and gold painting, sourced from Bridgeman Images through Fine Art Finder, showcases the mesmerizing figure of Acrasia, a character from John Milton's epic poem 'L'Allegro'. Our premium metal prints offer vibrant colors, stunning clarity, and a sleek, modern design that complements any decor. Experience the timeless beauty of this masterpiece every day, with the added benefit of a durable, waterproof, and scratch-resistant print that will last a lifetime.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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This print showcases John Melhuish Strudwick's masterpiece, "Acrasia" painted in 1888. The oil and gold paint on canvas bring to life the enchantress Acrasia from Edmund Spenser's renowned work, "The Faerie Queene". Measuring 70.5x56.5 cm, this artwork is held in a private collection. In this mesmerizing scene, we witness Acrasia as both seductive and vulnerable. Surrounded by a lush garden filled with sensual flowers and fruits, she reclines gracefully while playing her harp and singing sweet melodies. Her beauty is undeniable, but it conceals a fatal weakness that lures unsuspecting knights into her trap. The painting exudes an aura of magic and temptation as Acrasia casts her spell over all who encounter her. With a sword resting beside her shield and armor nearby, she symbolizes the danger that lies beneath her seemingly innocent facade. Strudwick's attention to detail is evident in every brushstroke - from the delicate caressing of musical instruments like the lute and viol to the intricate botanical elements that add depth to the composition. "Acrasia" embodies the essence of femme fatale - an irresistible temptress whose allure leads men astray. This Pre-Raphaelite masterpiece explores themes of lust, entrapment, and sensuality through its exquisite portrayal of beauty corrupted by evil. As we gaze upon this extraordinary piece of art captured by ePeter Nahum at
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