Mouse Mat : MASACCIO, Tomaso di Ser Giovanni di Mone Casai
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MASACCIO, Tomaso di Ser Giovanni di Mone Casai
MASACCIO, Tomaso di Ser Giovanni di Mone Casai, called (1401-1428). Brancacci Chapel. Saint Peter Healing the Sick with his Shadow. c. 1427. ITALY. Florence. Church of Santa Maria del Carmine. Renaissance art. Quattrocento. Florentine school. Fresco
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Media ID 8269073
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10686995
Called Carmine Chapel De L Florence Florentine Giovanni Healing Maria Masaccio Quattrocento Renaissance Shadow Sick Mone Tomaso
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 19.5cm x 23.7cm (7.7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This image showcases the masterful artistry of Tomaso di Ser Giovanni di Mone Casai, better known as Masaccio, in his renowned fresco, "Saint Peter Healing the Sick with his Shadow," created around 1427 in the Brancacci Chapel of the Church of Santa Maria del Carmine in Florence, Italy. A pivotal figure in the Quattrocento period and the Florentine School of the Renaissance, Masaccio's innovative techniques revolutionized the way art was perceived. In this powerful scene, Masaccio portrays Saint Peter, the first Pope and one of the twelve apostles, as he extends his shadow over the sick, healing them. The fresco's lifelike figures, realistic perspective, and intricate details demonstrate Masaccio's extraordinary ability to capture the human form and emotion. The use of chiaroscuro, or the interplay of light and shadow, adds depth and dimension to the artwork. The Brancacci Chapel, a masterpiece of Florentine art, is adorned with various frescoes, including those by Masaccio's contemporaries, Filippo Lippi and Benedetto Ghirlandaio. Masaccio's Saint Peter Healing the Sick with his Shadow stands out for its remarkable realism and the profound connection it creates between the viewer and the depicted scene. This stunning work of art, a testament to Masaccio's groundbreaking contributions to the world of Renaissance art, continues to captivate and inspire art enthusiasts and scholars alike.
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