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Mouse Mat : Charles V. RUBENS, Peter Paul (1577-1640)
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Charles V. RUBENS, Peter Paul (1577-1640)
RUBENS, Peter Paul (1577-1640). The Emperor Charles V and the Empress Isabella. 1628. Copy of the original portrait by Titian destroyed in the fire at the Alcạ r of Madrid in 1734. Collection House of Alba. Renaissance art. Cinquecento. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Liria Palace
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Media ID 14179670
© CAGP/Iberfoto/Mary Evans
1503 1577 1628 1640 1734 Alba Alcq1 R Autonomous Cinquecento Community Copy Couples Destroyed Empress Isabel Isabella Liria Oils Paintings Peter Pictures Portugal Renaissance Rubens Times Titian Persons
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 17.7cm (9.3" x 7")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This stunning oil on canvas painting is a captivating copy of the original portrait of Emperor Charles V and Empress Isabella, created by the renowned Flemish artist Peter Paul Rubens in 1628. The original portrait, painted by Titian in 1548, was unfortunately destroyed in a fire at the Alcazar of Madrid in 1734. Rubens' copy is now part of the esteemed collection at the Liria Palace in Madrid, Spain, within the Autonomous Community. Charles V (1500-1558), the Holy Roman Emperor and King of Spain, is depicted in the painting with a regal and commanding presence, wearing a richly adorned robe and holding a scepter. His wife, Empress Isabella of Portugal (1503-1539), is shown gracefully by his side, dressed in elegant attire and adorned with jewels. The couple's strong bond and mutual respect are evident in their gazes and postures. Rubens' masterful use of color and light in this painting exemplifies the Renaissance art of the Cinquecento period. The intricate details and lifelike portrayal of the couple's clothing, accessories, and expressions transport us back to the early modern era, allowing us to appreciate the grandeur and elegance of the time. This painting is a testament to the enduring legacy of Rubens and the importance of preserving historical art for future generations to enjoy.
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