1640 Collection

WILLIAM II (1626-1650). Prince of Orange, count of Nassau. Painting by Anthony Van Dyck, c1640

Man in the Iron Mask, playing the cello in prison
There are conflicting theories as to who this man was. One is that he was Count Ercole Antonio Mattioli (Matthioli or Marchioly, 1640-1703), an Italian diplomat, arrested as Eustache Dauger in 1669

English Royalists 1640-9
English Royalist soldiers: doublet & breeches, lace falling collars, lace-edged boot hose tops, bucket-top boots, plumed hats, cloak

River View by Moonlight, c. 1640-1650, by Aert van der Neer
Aert van der Neer (c.1603-1677). Dutch painter. River View by Moonlight, c. 1640-1650. Rijksmuseum. Amsterdam. Holland

Charles V
RUBENS, Peter Paul (1577-1640). The Emperor Charles V and the Empress Isabella. 1628. Copy of the original portrait by Titian destroyed in the fire at the Alcạ r of Madrid in 1734

DRAGON. Draco Aethiopicus: engraving from Ulisse Aldrovandis Serpentum et Draconium Historiae, Bologna, 1640

Skeleton and Skull
A skeleton, and a skull and crossbones

English Puritan
An English Puritan

East Indian Market Stall, attributed to Albert Eckhout, 1640 - 1666

Jolly Plump Cook 1640
A jolly, plump cook (surrounded by poultry and other meats) proudly holds up a freshly made pie, decorated with a feather

Sir John Ogle
SIR JOHN OGLE military commander, reputed for his courage at the siege of Ostend and elsewhere - with his autograph

Sir Peter Paul Rubens, The Meeting of David and Abigail, Flemish, 1577 - 1640, c. 1630, oil on panel

NEWBURN, Newburn is a semi rural village, parish, electoral ward and former urban district in western Tyne and Wear, North East England

Rubens and Isabella Brant in the Honeysuckle Bower by RUBENS, Peter Paul (1577-1640)

Saint Lawrence, circa 1640-1645 by Bernardo Cavallino
Saint Lawrence. Portrait by Bernardo Cavallino (1616-1654), circa 1640-1645. Lazaro Galdiano Museum. Madrid. Spain

Christ on the Cross, ca. 1640, by Alonso Cano (1601-1667)
Alonso Cano (1601-1667). Spanish painter. Christ on the Cross, ca.1640. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Plate with lemons, ca. 1640, by Juan de Zurbaran (1620-1659)
Juan de Zurbaran (1620-1659). Spanish painter. Plate with lemons, ca.1640. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Coach of 1640 by Edward Penfield Date: 1640

Tomb of Abakh Hoja, Kashgar, western China
The tomb of Abakh Hoja (also known as the Tomb of Xiangfei) in Kashgar, western China. It served as the family tomb of Abakh Hoja

PERFIDIOUS ALBION
English support for Dutch independence is not to be relied on under catholic Charles I : the English seem happy to see the Dutch lion dead and soon to be buried. Date: circa 1640

DEATHLY SUNDIAL
An unusual sundial head in a niche over the church porch at Sheepstor, Devon, England, dating from 1640. It reads (in Latin): Life is but an Hour, Death is the Gate to Life'. Date: 17th century

DEATHBED WITH PRIEST
A priest stands by a deathbed, reading the Last Rites, while the family grieve... Date: circa 1640

A selection of Montelupo circular dishes, most c. 1640 (ceramic)
1766867 A selection of Montelupo circular dishes, most c.1640 (ceramic) by Italian School, (17th century); Private Collection; (add.info.: A selection of Montelupo circular dishes)

Birmingham in 1640, from the "Prospect"in Dugdales Warwickshire, 1656 (engraving)
3634974 Birmingham in 1640, from the " Prospect" in Dugdales Warwickshire, 1656 (engraving) by English School, (19th century); Private Collection; (add.info.: Birmingham in 1640)

Vue du quai et de l hotel de Conti, d apres La Belle, 1640 (engraving)
963096 Vue du quai et de l hotel de Conti, d apres La Belle, 1640 (engraving) by French School, (19th century); Private Collection; (add.info.: Vue du quai et de l hotel de Conti, d apres La Belle)

Lady Mayoress of London in the year 1640 (engraving)
607210 Lady Mayoress of London in the year 1640 (engraving) by English School, (19th century); Private Collection; (add.info)

General Alexander Leslies troops crossing the River Tyne at Newburn Ford, near Newcastle, 27 August 1640, prior to the Battle of Newburn Ford, part of the Second Bishops War

Saint Sebastian, c. 1640-50 (oil on canvas)
990097 Saint Sebastian, c.1640-50 (oil on canvas) by Zurbaran, Francisco de (1598-1664); 190.7x105.4 cm; Private Collection; (add.info.: Saint Sebastian. Francisco de Zurbaran (1598-1664)

Plan of the east prospect of St Pauls Church, Covent Garden and west prospect of Covent Garden (engraving)
584866 Plan of the east prospect of St Pauls Church, Covent Garden and west prospect of Covent Garden (engraving) by English School

Greyfriars Church, Edinburgh, in 1640 (engraving)
725595 Greyfriars Church, Edinburgh, in 1640 (engraving) by English School, (19th century); Private Collection; (add.info.: Greyfriars Church, Edinburgh, in 1640)

Kensington, Holland House, White Parlour, c 1640 (b / w photo)
3634111 Kensington, Holland House, White Parlour, c 1640 (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Kensington, Holland House, White Parlour, c 1640)

Kensington, Holland House, Gilt Room, first floor, c 1640 (b / w photo)
3634109 Kensington, Holland House, Gilt Room, first floor, c 1640 (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Kensington, Holland House, Gilt Room)

Le cimetiere des Innocents en 1640, Fac-simile de deux gravures de La Bella (engraving)
963146 Le cimetiere des Innocents en 1640, Fac-simile de deux gravures de La Bella (engraving) by French School, (19th century); Private Collection; (add.info.: Le cimetiere des Innocents en 1640)

Laud imprisoned in the tower of London
Archbishop William Laud (1573-1645) imprisoned in the Tower of London, having been found guilty of treason. 1641

Palais des Tuileries, 1640 (colour litho)
962785 Palais des Tuileries, 1640 (colour litho) by French School, (19th century); Private Collection; (add.info.: Palais des Tuileries, 1640)

Portrait of a Persian Dignitary, c. 1640-1660 (w / c & gold paint on paper)
1196627 Portrait of a Persian Dignitary, c.1640-1660 (w/c & gold paint on paper) by Indian School, (17th century); 35.8x25.6 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Whitehall. Etching by Israel Silvestre, 1640 (engraving)
611250 Whitehall. Etching by Israel Silvestre, 1640 (engraving) by English School, (19th century); Private Collection; (add.info.: Whitehall)

Peter Paul Rubens, b 1577, d 1640 (engraving)
978765 Peter Paul Rubens, b 1577, d 1640 (engraving) by English School, (19th century); Private Collection; (add.info.: Peter Paul Rubens, b 1577, d 1640)

Sophonisba receiving the Cup of Poison, c. 1640 (oil on canvas)
827759 Sophonisba receiving the Cup of Poison, c.1640 (oil on canvas) by Preti, Mattia (Il Calabrese) (1613-99); 86x165.7 cm; Private Collection; (add.info.: Sophonisba receiving the Cup of Poison)

Entrance to the Side from the Sandhill, Newcastle with Katys Coffee House, the Lort Burn etc, 1640
3634955 Entrance to the Side from the Sandhill, Newcastle with Katys Coffee House, the Lort Burn etc, 1640, designed from old views, plans, existent and lately existent remains

Habit of the Lady Mayoress of London in 1640 (engraving)
607035 Habit of the Lady Mayoress of London in 1640 (engraving) by English School, (19th century); Private Collection; (add.info)

John Lowin, 1640, aetat 64 (engraving)
3649916 John Lowin, 1640, aetat 64 (engraving) by English School, (18th century); Private Collection; (add.info.: John Lowin, 1640, aetat 64. From an original picture in the Ashmole Museum, Oxford)

Porte et tour de Nesle, 1640, d apres Callot, Vue prise du Pont-Neuf (engraving)
963078 Porte et tour de Nesle, 1640, d apres Callot, Vue prise du Pont-Neuf (engraving) by French School, (19th century); Private Collection; (add.info.: Porte et tour de Nesle, 1640, d apres Callot)

Vue du Louvre et du quai de l Ecole-Saint-Germain, vers 1640, Fac-simile d une gravure de La Belle (engraving)
962996 Vue du Louvre et du quai de l Ecole-Saint-Germain, vers 1640, Fac-simile d une gravure de La Belle (engraving) by French School

Issac Blessing Jacob, c. 1640 (oil on canvas)
659397 Issac Blessing Jacob, c.1640 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69) (school of); 128.3x165.7 cm; Private Collection; (add.info.: Issac Blessing Jacob)

A Mullah and a Musician, c. 1640-1650 (w / c & gold leaf on cream paper)
1196877 A Mullah and a Musician, c.1640-1650 (w/c & gold leaf on cream paper) by Mughal School, (17th century); 40.5x27.1 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

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In the year 1640, amidst a tumultuous period in history, fascinating events unfolded that shaped the world we know today. One such enigma was the mysterious figure known as the Man in the Iron Mask. Locked away in an undisclosed prison, his identity concealed behind an impenetrable mask, he became a symbol of intrigue and speculation. Meanwhile, across Europe, renowned artist Sir Peter Paul Rubens continued to captivate audiences with his masterful works. In "The Meeting of David and Abigail, " painted just before his passing in 1640, Rubens showcased his unparalleled talent for capturing emotion and storytelling through art. Back in England, political tensions ran high between two opposing factions: the English Puritans and the English Royalists. These ideological clashes would eventually culminate in a decade-long conflict known as the English Civil War (1640-1649). The Jolly Plump Cook found solace amidst this turmoil by creating delectable dishes that brought comfort to weary souls. Amidst these historical upheavals emerged literary pioneer Aphra Behn. As one of England's first professional female writers, she challenged societal norms with her groundbreaking works that explored themes of love, power dynamics, and gender roles. In Newburn village during this time period stood Saint Lawrence Church—a testament to enduring faith dating back to circa 1640-1645. Its walls witnessed countless prayers uttered by villagers seeking solace during troubled times. Charles V's reign also left its mark on history during this era. His rule saw significant advancements in science and exploration while shaping European politics for generations to come. As we delve into these fragments from 1640—be it through tales of imprisonment or artistic brilliance—we are reminded that even amid chaos and uncertainty, human creativity continues to flourish, and is within these moments where resilience shines brightest.