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Mouse Mat : El Assasif Porte de Granit Rose No 2 John Beasly
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El Assasif Porte de Granit Rose No 2 John Beasly
El Assasif, Porte de Granit Rose, No. 2; John Beasly Greene (American, born France, 1832 - 1856); El Assasif, Egypt; 1853 - 1854; Salted paper print from a waxed paper negative with ink; 23.3 x 30.2 cm (9 3, 16 x 11 7, 8 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18519924
© Liszt Collection
16 X 1832 1853 1854 1856 233 X Born France Greene John Beasly Negative Rose Salted Paper Waxed Paper
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 19.1cm (9.3" x 7.5")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print titled "El Assasif Porte de Granit Rose No 2" by John Beasly Greene takes us back in time to the enchanting landscapes of Egypt in the mid-19th century. The image showcases a magnificent granite gate, bathed in a soft rose hue, standing proudly amidst the ancient ruins of El Assasif. John Beasly Greene, an American-born French photographer, captured this mesmerizing scene between 1853 and 1854 using a waxed paper negative with ink. The resulting salted paper print measures 23.3 x 30.2 cm (9 3/16 x 11 7/8 in. ), preserving every intricate detail of the architectural marvel before our eyes. The composition exudes a sense of mystery and grandeur as we are transported to an era when explorers like Greene ventured into distant lands to document their wonders for posterity. The play of light and shadow on the weathered stone creates an ethereal atmosphere that invites contemplation. As we gaze at this remarkable piece from the Liszt Collection, we can't help but imagine ourselves walking through those very gates, feeling the weight of history upon us. It serves as a testament to both human ingenuity and nature's enduring beauty.
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