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Mouse Mat : Sultan Bayazid before Timur, Folio from an Akbarnama (History of Akbar), ca. 1600
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Sultan Bayazid before Timur, Folio from an Akbarnama (History of Akbar), ca. 1600
Heritage Images features heritage image collections
Media ID 20136497
© /Heritage Images
Acinonyx Jubatus Akbarnama Amir Timur Bayezid I Carpet Carpets Cheetah Defeat Defeated Enthronement Feline Indian Miniature Miniature Mongolia Mongolian Nastaliq Ottoman Empire Persian Carpet Perso Arabic Script Shuja Ud Din Timur Soft Furnishing Sultan Taimur Tamburlaine Tamburlane Tamerlane Throne Timur Timur I Leng Timur Lenk Timur The Lame Turkey Turkish Uzbek Uzbekistan Victor Victory Bayazid Gold Colour
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 16.2cm x 23.7cm (6.4" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating print titled "Sultan Bayazid before Timur" takes us back to the 17th century, immersing us in the rich history of Akbar's empire. This exquisite folio from an Akbarnama (History of Akbar) manuscript, created around 1600, showcases the remarkable talents of Indian miniature artists. In this scene, we witness a pivotal moment as Sultan Bayazid I is presented before Timur, also known as Tamerlane or Tamburlaine. The composition exudes grandeur and power with its opulent gold accents and intricate Persian carpets adorning the floor. The sultan sits upon a magnificent throne while his loyal cheetah stands by his side—a symbol of strength and royalty. The artist skillfully captures the tension between these two formidable figures through their expressions and body language. Sultan Bayazid appears defeated yet dignified, while Timur emanates authority and dominance. Their encounter signifies not only a defeat for Bayazid but also marks an important chapter in history where empires clashed. This stunning piece exemplifies the mastery of Persian script Nastaliq used to inscribe details about this historical event on the page's borders. Preserved at The Metropolitan Museum of Art, it serves as a testament to Dharm Das' dedication to preserving heritage art forms. As we gaze upon this mesmerizing artwork, we are transported into a world where literature meets visual storytelling—where colors come alive on paper and emotions transcend time itself.
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