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Mouse Mat : Soulage. Alphonse, Charles. 30 ans, ne a Lyon. Menuisier. Anarchiste. 1 / 3 / 94
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Soulage. Alphonse, Charles. 30 ans, ne a Lyon. Menuisier. Anarchiste. 1 / 3 / 94
Soulage. Alphonse, Charles. 30 ans, ne a Lyon. Menuisier. Anarchiste. 1/3/94. 1894
Heritage Images features heritage image collections
Media ID 20137170
© Heritage Art/Heritage Images
Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Carpenter Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 19.5cm x 23.7cm (7.7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Soulage. Alphonse, Charles. 30 ans, ne a Lyon. Menuisier. Anarchiste. 1 / 3 / 94" takes us back to the late 19th century in France, where Alphonse Bertillon's expertise in anthropometry and criminal identification was at its peak. In this arresting portrait, we see a man named Alphonse Soulage - a thirty-year-old carpenter from Lyon who proudly identifies as an anarchist. The image captures his essence with remarkable clarity, showcasing the meticulousness of Bertillon's photographic technique. Bertillon's work revolutionized forensic science and law enforcement during this era by introducing standardized methods for documenting physical characteristics of criminals through photography and measurements. This photograph serves as both an artistic piece and a scientific record of Soulage's features. The Metropolitan Museum of Art houses this exceptional albumen silver print that exemplifies the intersection between artistry and criminology in the late 19th century French society. It stands as a testament to the advancements made in identifying individuals based on their physical attributes. As we gaze upon this thought-provoking image, we are reminded of how history intertwines with politics, professions, and personal beliefs - all encapsulated within one man captured forever on film by Alphonse Bertillon himself.
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