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Mouse Mat : Peasant Burning Weeds, 19th century. Artist: Jean Francois Millet
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Peasant Burning Weeds, 19th century. Artist: Jean Francois Millet
Peasant Burning Weeds, 19th century. From The Studio Volume 65. [London Offices of the Studio, London, 1915]
Heritage Images features heritage image collections
Media ID 14965228
© The Print Collector
Barbizon School Bonfire Burning French Text Jean Francois Jean Francois Millet Lower Case Millet Peasant Peasants Sepia Studio Publications Studio Volume 65 Weed Weeds Western Script
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 16.5cm x 23.7cm (6.5" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photo print, titled "Peasant Burning Weeds" captures a scene from the 19th century countryside. Created by renowned artist Jean Francois Millet, this image showcases the daily life of peasants in rural France during that era. In this particular frame, a hardworking woman stands amidst nature's beauty as she tends to her task of burning weeds. The sepia-toned photograph exudes a sense of simplicity and tranquility, highlighting the connection between humans and their environment. The billowing smoke from the bonfire adds an ethereal touch to the composition, creating an atmosphere of both mystery and laboriousness. Through this image, we are transported back in time to witness firsthand the struggles faced by those living in poverty-stricken conditions. The woman's stoic expression reflects her resilience despite enduring challenging circumstances. The lower case French text accompanying the portrait adds an artistic flair while paying homage to Millet's Barbizon School roots. Published in London in 1915 as part of Studio Volume 65, this print serves as a testament to Millet's mastery at capturing human emotions within natural landscapes. As we gaze upon this evocative artwork, let us reflect on our own relationship with nature and appreciate the strength exhibited by individuals who work tirelessly against all odds.
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