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Mouse Mat : The Interior of the Pantheon in Oxford Road, 1772. Artist: Richard Earlom
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The Interior of the Pantheon in Oxford Road, 1772. Artist: Richard Earlom
The Interior of the Pantheon in Oxford Road, 1772. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
Heritage Images features heritage image collections
Media ID 14916953
© The Print Collector / Heritage-Images
Audience Earlom Emily Morse Emily Morse Symonds George Paston Pantheon Paston Richard Richard Earlom Symonds Theatre Goer
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 19.7cm (9.3" x 7.8")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print takes us back to the year 1772, offering a glimpse into the grandeur of The Interior of the Pantheon in Oxford Road. Renowned artist Richard Earlom skillfully captures the essence of this magnificent British architecture, showcasing its intricate pillars and columns that seem to reach for the heavens. The focal point of this image is undoubtedly the audience that fills this opulent space. Dressed in their finest attire, both men and women can be seen enjoying an evening at the theater. Their elegant costumes reflect the fashion trends of the 18th century, adding a touch of glamour to this already breathtaking scene. As we explore every detail within this monochrome masterpiece, it becomes clear that George Paston (pseudonym for Emily Morse Symonds) has expertly curated over two hundred illustrations in her book "Social Caricature in the Eighteenth Century". This particular illustration showcases not only architectural beauty but also provides insight into societal norms and cultural practices during that era. With Charles Brandoin's contribution as well, we are reminded once again of how art brings together various talents to create something truly remarkable. Michael Vincent Brandoin's involvement further adds depth to this collaboration. Overall, Richard Earlom's print transports us back in time by capturing both physical structures and human experiences with great precision. It serves as a testament to our rich history while reminding us of our enduring fascination with art from centuries past.
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