Theatre Goer Collection

The latecomers, c1914. Creator: Albert Guillaume
The latecomers, c1914

Physionomies de spectateurs de la Porte St-Martin... 1852. Creator: Honore Daumier
Physionomies de spectateurs de la Porte St-Martin... 1852. Physionomies de spectateurs de la Porte-St.-Martin pendant une represantation de Richard III

Le Banc des Amateurs, 1852. Creator: Honore Daumier
Le Banc des Amateurs, 1852. Vue prise a l'opera. The Theatre-Lovers Seats. Scene at the opera. Series: Les Parisiens en 1852, no. 3; Periodical: Le Charivari, 15 January 1852

Dans une salle de spectacle, 1854. Creator: Honore Daumier
Dans une salle de spectacle, 1854. Scene in a theatre. From Paris l'ete, no. 2

Box Office, 1862, printed 1920. Creator: Charles Maurand
Box Office, 1862, printed 1920

Le couplet final, from Tirage Unique de Trente-Six Bois, 1862, printed 1920. Creator: Charles Maurand
Le couplet final, from Tirage Unique de Trente-Six Bois, 1862, printed 1920

Going to the Theater: Woman of the Joo Era [1652-55], published in 1893. Creator: Mizuno Toshikata
Going to the Theater: Woman of the Joo Era [1652-55], published in 1893. Series: Thirty-six Selected Beauties

An Argument in the Corridors of the Opera, 1889 (oil on canvas)
XIR19147 An Argument in the Corridors of the Opera, 1889 (oil on canvas) by Beraud, Jean (1849-1935); 37x53 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

The Wings of the Opera (in the Foyer) c. 1887 (oil on canvas)
LEF219127 The Wings of the Opera (in the Foyer) c.1887 (oil on canvas) by Forain, Jean Louis (1852-1931); 62.2x50.8 cm; Private Collection; (add.info)

The Peristyle at the Theatre Francais, c. 1822 (colour litho)
CHT169425 The Peristyle at the Theatre Francais, c.1822 (colour litho) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

At the Concert (Au concert), 1898. Creator: Henri de Toulouse-Lautrec
At the Concert (Au concert), 1898

Le Missionnaire, 1894. Creator: Henri de Toulouse-Lautrec
Le Missionnaire, 1894

L Argent, 1895. Creator: Henri de Toulouse-Lautrec
L Argent, 1895

Box Lobby Loungers, January 5, 1811. Creator: Thomas Rowlandson
Box Lobby Loungers, January 5, 1811

Theatrical Pleasures, Plate 4: Taken Places Occupied, ca. 1835. Creator: Theodore Lane
Theatrical Pleasures, Plate 4: Taken Places Occupied, ca. 1835

Theatrical Pleasures, ( Snug in the Gallery, Plate 3), ca. 1835. Creator: Theodore Lane
Theatrical Pleasures, ( Snug in the Gallery, Plate 3), ca. 1835

Theatrical Pleasures, Plate 5: Feasting in the Saloon, ca. 1835. Creator: Theodore Lane
Theatrical Pleasures, Plate 5: Feasting in the Saloon, ca. 1835

The Optic Curls, 18th century. Gentleman theatre goers use one of their female companions elaborate curls as opera glasses. Illustration from Social Caricature in the Eighteenth Century

The Interior of the Pantheon in Oxford Road, 1772. Artist: Richard Earlom
The Interior of the Pantheon in Oxford Road, 1772. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

The Opera, late 18th-early 19th century, (1912). Artist: A W Huffam
The Opera, late 18th-early 19th century, (1912). A print from The Connoisseur, (London, 1912)

Leaving The Opera, (1885). Artist: Moreau
Leaving The Opera, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Auditorium of the Bolshoi Theatre, Moscow, Russia, 1856. Artist: Mihaly Zichy
Auditorium of the Bolshoi Theatre, Moscow, Russia, 1856. The home of the famous Bolshoi Ballet Company founded in 1776, the theatre itself opened in 1825 and was designed by Osip Bove

Comic Postcard - Suggestive poster and girl
Humorous Postcard - a satire on the play The Girl who took the Wrong Turning (Theatre Royal, London) - the poster has the cheeky addition " Twice Nightly at Cheap Prices - a Free

The Comedie Francaise during the Time of Moliere (1622-73) at the Palais Royal Auditorium
XIR155381 The Comedie Francaise during the Time of Moliere (1622-73) at the Palais Royal Auditorium (engraving) (b/w photo) by Coypel, Charles Antoine (1694-1752) (after); Bibliotheque de L Arsenal

In the Gallery of the Hamburg State Theatre, c. 1880 (oil on paper on cardboard)
XKH149523 In the Gallery of the Hamburg State Theatre, c.1880 (oil on paper on cardboard) by Speckter, Hans (1848-88); 20x30.2 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Barry Delivers Prologue
ANN SPRANGER BARRY delivers the Prologue to John Hones highly successful Douglas which prompted a Scottish theatregoer to cry out Waurs your Willy Shakespeare noo ?

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"The Theatre Goer: A Captivating Journey into the World of Entertainment" Step into the enchanting world of theater, where artistry and imagination intertwine to create unforgettable moments. From the grandeur of opera houses to the lively atmosphere of concert halls, these captivating artworks offer a glimpse into the lives of theater goers throughout history. In "An Argument in the Corridors of the Opera, 1889, " we witness a scene filled with fervent discussions and animated gestures as patrons engage in passionate debates about performances they have just witnessed. The vibrant colors and intricate details bring this moment to life, showcasing the excitement that lingers long after curtains fall. Moving from corridors to foyers, "The Wings of the Opera (in the Foyer) c. 1887" transports us to a bustling space adorned with elegant attire and sparkling chandeliers. Here, theater goers gather before shows, exchanging pleasantries and eagerly anticipating what lies ahead, and is a place where anticipation mingles with anticipation. Traveling back in time to early 19th century France, "The Peristyle at Theatre Francais" captures an era when theaters were not only places for entertainment but also social gatherings for high society. The lithographic print showcases individuals dressed in their finest garments as they mingle under ornate arches - a testament to both fashion and culture. Henri de Toulouse-Lautrec's works provide glimpses into more intimate moments within theaters. In "At the Concert (Au concert), 1898, " we are transported backstage as musicians prepare for their performances while eager audience members await their arrival. Lautrec's unique style brings forth an air of mystery and intrigue surrounding these behind-the-scenes interactions. Similarly, his painting "Le Missionnaire" portrays an intriguing encounter between two figures amidst theatrical surroundings - perhaps representing contrasting worlds colliding or hidden narratives waiting to unfold on stage.