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Mouse Mat : David Beaton, Archbishop of St Andrews, (1870). Artist:s Freeman
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David Beaton, Archbishop of St Andrews, (1870). Artist:s Freeman
David Beaton, Archbishop of St Andrews, (1870). Beaton (c1494-1546) was the last Scottish cardinal prior to the Reformation. An engraving from Robert Chambers A Biographical Dictionary of Eminent Scotsmen, Blackie and Son, (Glasgow, Edinburgh, and London, 1870)
Heritage Images features heritage image collections
Media ID 14905277
© The Print Collector / Heritage-Images
Archbishop Beaton Bishop Cardinal Beaton David David Beaton Freeman S Freeman
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 15.4cm x 23.7cm (6.1" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the esteemed figure of David Beaton, Archbishop of St Andrews, in all his regal glory. Created by artist S Freeman in 1870, this engraving is a testament to the enduring legacy of Beaton, who held the prestigious title of Scottish cardinal during a tumultuous period in history. Beaton's significance as the last Scottish cardinal prior to the Reformation cannot be overstated. This portrait captures his dignified presence and unwavering commitment to his religious duties. The intricate details etched into this print allow us to glimpse into the life of a man who played a pivotal role in shaping Scotland's religious landscape. Set against a monochrome backdrop, Beaton's visage exudes authority and wisdom. His piercing gaze seems to penetrate through time itself, reminding us of an era when faith was at the forefront of people's lives. As we observe this portrait, we are transported back to 16th-century Scotland, where religion held immense power over society. The craftsmanship exhibited by S Freeman brings out every nuance and contour on Beaton's face with remarkable precision. This print serves as both an artistic masterpiece and historical artifact that sheds light on one man's dedication to Christianity amidst political upheaval. As we contemplate this striking image, let us reflect upon David Beaton's profound impact on Scotland and appreciate how art can immortalize individuals whose contributions have shaped our world.
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