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Mouse Mat : CHINA: ANTI-WEST CARTOON. The Beating of the (foreign) Devils and the Burning of the

CHINA: ANTI-WEST CARTOON. The Beating of the (foreign) Devils and the Burning of the




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CHINA: ANTI-WEST CARTOON. The Beating of the (foreign) Devils and the Burning of the

CHINA: ANTI-WEST CARTOON.
The Beating of the (foreign) Devils and the Burning of the (Christian) Books. Anti-Western Chinese cartoon published at Hunan province, c1890

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12415220

Anti Christianity Anti West Beating Burn China Chinese Ching Dynasty Discrimination Province


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
The print titled "CHINA: ANTI-WEST CARTOON. The Beating of the (foreign) Devils and the Burning of the (Christian) Books" captures a significant moment in Chinese history during the late 19th century. Published in Hunan province around 1890, this anti-Western Chinese cartoon reflects the prevailing sentiments of that time. In this thought-provoking image, we witness an unsettling scene where foreign devils are being violently beaten while Christian books are set ablaze. Symbolizing China's resistance against Western influence and Christianity, this artwork sheds light on the discrimination faced by foreigners and their religious beliefs during the Ching Dynasty. As we delve into its historical context, it becomes evident that this cartoon represents a turning point in China's relationship with the West at the turn of the century. It encapsulates deep-rooted frustrations towards Western imperialism and cultural intrusion felt by many Chinese citizens. This powerful visual serves as a reminder of how art can be used to express political ideologies and societal tensions. By examining such artifacts from our past, we gain valuable insights into complex historical narratives that have shaped nations and cultures.

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