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Mouse Mat : CREDIT MOBILIER CARTOON. The Cherubs of the Credit Mobilier
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CREDIT MOBILIER CARTOON. The Cherubs of the Credit Mobilier
CREDIT MOBILIER CARTOON.
The Cherubs of the Credit Mobilier. Cartoon, 1873, by Thomas Nast on the censure by the House of Representatives of Congressman James Brooks of New York (left) and Oakes Ames of Massachusetts for their involvement in the Credit Mobilier scandal
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12322292
1873 Ames Angel Brook Brooks Cherub Commerce Congressman Corruption Crime Finance Myth Nast Parody Pince Nez Political Action Putto Scandal Senator Wing Censure Oakes
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18.9cm (9.3" x 7.4")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
The "Cherubs of the Credit Mobilier" cartoon, created by Thomas Nast in 1873, captures the essence of the scandal surrounding Congressman James Brooks and Oakes Ames. The image portrays these political figures as cherubic beings with wings, symbolizing their supposed innocence and purity. However, their involvement in the Credit Mobilier scandal tainted their reputations. In this satirical artwork, Nast criticizes corruption within politics and finance during that era. The cherubs' angelic appearance contrasts sharply with their alleged crimes of bribery and fraud related to the construction of the Union Pacific Railroad. Nast's attention to detail is evident through his depiction of Brooks wearing pince-nez glasses and Ames sporting a distinguished beard. These subtle touches add depth to each character's personality while emphasizing their roles in this infamous event. The cartoon serves as a visual commentary on how power can corrupt even those who appear virtuous on the surface. It highlights society's disillusionment with politicians who prioritize personal gain over public welfare. More than just an artistic piece, this print encapsulates an important moment in American history when scandals like Credit Mobilier exposed widespread corruption within government institutions.
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