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Religious Canvas
July 1958: Visitors examine a painting at an exhibition of modern art, organised by the Contemporary Art Society on the theme of religion, in Londons Tate Gallery. The painting is titled A Religious Painting by Jack Smith. (Photo by Frank Martin/BIPs/Getty Images)
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Frank Martin
Media ID 11971502
1917 1950 1959 Art Museum Couple Relationship Curiosity England Format Examining Exhibition Females Looking Modern Organization Paintings Picture Rear View Square Square Black Topics Visit Lifestyles Tate Gallery
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this photo, taken by Frank Martin in July 1958, we are transported to the Tate Gallery in London. The image captures a moment of contemplation as visitors examine a thought-provoking painting at an exhibition organized by the Contemporary Art Society. Titled "A Religious Painting" and created by Jack Smith, this artwork stands out among the modern art displays. The square format of the photo adds a timeless quality to the scene, while the presence of a white female back creates intrigue and mystery. As we observe from behind her, we can sense her curiosity and deep engagement with the painting before her. This snapshot offers us a glimpse into both artistic expression and religious themes that were prevalent during this era. It reminds us of how art museums like Tate Gallery serve as spaces for exploration, reflection, and connection with diverse topics such as religion. Frank Martin's photograph is not only an archival record but also an invitation to immerse ourselves in history through visual storytelling. It captures not only individuals examining paintings but also hints at broader cultural contexts surrounding art exhibitions in mid-century England. As we peer into this moment frozen in time, we are reminded of our own capacity for introspection and interpretation when faced with works of art that challenge our perspectives on life's profound questions.
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