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Tate Gallery Collection

The Tate Gallery is a treasure trove of artistic masterpieces, showcasing the works of renowned artists from various periods

Background imageTate Gallery Collection: King Charles Spaniels (The Cavaliers Pets), 1845, (c1915). Artist: Edwin Henry Landseer

King Charles Spaniels (The Cavaliers Pets), 1845, (c1915). Artist: Edwin Henry Landseer
King Charles Spaniels (The Cavaliers Pets), 1845, (c1915). The painting is held by the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney

Background imageTate Gallery Collection: Diana of the Uplands, 1903-1904, (c1915). Artist: Charles Wellington Furse

Diana of the Uplands, 1903-1904, (c1915). Artist: Charles Wellington Furse
Diana of the Uplands, 1903-1904, (c1915). The painting is held by the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageTate Gallery Collection: Love Locked Out, 1889, (1912). Artist: Anna Lea Merritt

Love Locked Out, 1889, (1912). Artist: Anna Lea Merritt
Love Locked Out, 1889, (1912). Painting held at the Tate, London. From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

Background imageTate Gallery Collection: A Dames School, 1845, (1904). Artist: Thomas Webster

A Dames School, 1845, (1904). Artist: Thomas Webster
A Dames School, 1845, (1904). From the collection of the Tate Modern, London. From Social England, Volume VI, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

Background imageTate Gallery Collection: Mrs Mounter at the Breakfast Table, 1916-17. Artist: Harold Gilman

Mrs Mounter at the Breakfast Table, 1916-17. Artist: Harold Gilman
Mrs Mounter at the Breakfast Table, 1916?7. Painting held in the Tate, London. From The Studio Volume 99. [London Offices of the Studio, London, 1930]

Background imageTate Gallery Collection: Mrs Mark Currie, 1789

Mrs Mark Currie, 1789. Painting held at the Tate, London. From The British Genius, by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

Background imageTate Gallery Collection: The Wedding of St George and Princess Sabra, 1857. Artist: Dante Gabriel Rossetti

The Wedding of St George and Princess Sabra, 1857. Artist: Dante Gabriel Rossetti
The Wedding of St George and Princess Sabra, 1857. Painting held by the Tate, London. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]

Background imageTate Gallery Collection: The Dweller in the Innermost, c1885, (1912). Artist: George Frederick Watts

The Dweller in the Innermost, c1885, (1912). Artist: George Frederick Watts
The Dweller in the Innermost, c1885, (1912). Painting held at the Tate, London. From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

Background imageTate Gallery Collection: Mrs Johnstone and her Son (?), 1775-1780, (c1915). Artist: George Romney

Mrs Johnstone and her Son (?), 1775-1780, (c1915). Artist: George Romney
Mrs Johnstone and her Son (?), 1775-1780, (c1915). The painting is held by the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageTate Gallery Collection: A Hopeless Dawn, 1888, (c1915). Artist: Frank Bramley

A Hopeless Dawn, 1888, (c1915). Artist: Frank Bramley
A Hopeless Dawn, 1888, (c1915). Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageTate Gallery Collection: Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915)

Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Artists: Edwin Henry Landseer, John Everett Millais
Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Completed by Sir John Everett Millais. Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageTate Gallery Collection: Monna Pomona, 1864. Artist: Dante Gabriel Rossetti

Monna Pomona, 1864. Artist: Dante Gabriel Rossetti
Monna Pomona, 1864. Painting held at the Tate, London. From World Famous Paintings edited by J Grieg Pirie. [W.& G. Foyle Ltd. London, 1938.]

Background imageTate Gallery Collection: Aurelia (Fazio?s Mistress), 1863-1873. Artist: Dante Gabriel Rossetti

Aurelia (Fazio?s Mistress), 1863-1873. Artist: Dante Gabriel Rossetti
Aurelia (Fazio?s Mistress), 1863-1873. Painting held by the Tate, London. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]

Background imageTate Gallery Collection: Saturday Night in the Vale, 1928-9. Artist: Henry Tonks

Saturday Night in the Vale, 1928-9. Artist: Henry Tonks
Saturday Night in the Vale, 1928-9. Also known as ?An Evening in the Vale?. We see George Moore (1852-1933), in the foreground reading aloud from his manuscript of Aphrodite in Aulis

Background imageTate Gallery Collection: Government Help for the Unemployed, Sketches in and out of Millbank Prison (engraving)

Government Help for the Unemployed, Sketches in and out of Millbank Prison (engraving)
1047790 Government Help for the Unemployed, Sketches in and out of Millbank Prison (engraving) by Brewer, Henry Charles (1866-1950); Private Collection; (add.info)

Background imageTate Gallery Collection: Mr Charles Holroyd (engraving)

Mr Charles Holroyd (engraving)
1042430 Mr Charles Holroyd (engraving) by English School, (19th century); Private Collection; (add.info.: Mr Charles Holroyd, Keeper of the Gallery)

Background imageTate Gallery Collection: The New National British Gallery (litho)

The New National British Gallery (litho)
1042388 The New National British Gallery (litho) by Brewer, Henry William (fl.1858-d.1903); Private Collection; (add.info.: The New National British Gallery)

Background imageTate Gallery Collection: The Late Sir Henry Tate (engraving)

The Late Sir Henry Tate (engraving)
1043365 The Late Sir Henry Tate (engraving) by English School, (19th century); Private Collection; (add.info.: The Late Sir Henry Tate)

Background imageTate Gallery Collection: Mr Sydney R J Smith (engraving)

Mr Sydney R J Smith (engraving)
1042429 Mr Sydney R J Smith (engraving) by English School, (19th century); Private Collection; (add.info.: Mr Sydney R J Smith, the Architect)

Background imageTate Gallery Collection: Sir Henry Tate, English sugar merchant and philanthropist (litho)

Sir Henry Tate, English sugar merchant and philanthropist (litho)
818226 Sir Henry Tate, English sugar merchant and philanthropist (litho) by Herkomer, Hubert von (1849-1914) (after); Private Collection; (add.info.: Sir Henry Tate (1819-1899)

Background imageTate Gallery Collection: The Grafton Galleries (engraving)

The Grafton Galleries (engraving)
1604064 The Grafton Galleries (engraving) by English School, (19th century); Private Collection; (add.info.: The Grafton Galleries. Illustration for The Illustrated London News, 25 February 1893)

Background imageTate Gallery Collection: Entrance to the new Crafton Galleries (engraving)

Entrance to the new Crafton Galleries (engraving)
604547 Entrance to the new Crafton Galleries (engraving) by English School, (19th century); Private Collection; (add.info.: Entrance to the new Crafton Galleries, on Millbank, London)

Background imageTate Gallery Collection: The Gallery of British Art at Millbank (engraving)

The Gallery of British Art at Millbank (engraving)
604571 The Gallery of British Art at Millbank (engraving) by English School, (19th century); Private Collection; (add.info.: The Gallery of British Art at Millbank, to be erected by Mr Henry Tate)

Background imageTate Gallery Collection: London: The Tate Gallery, Millbank (b / w photo)

London: The Tate Gallery, Millbank (b / w photo)
6026841 London: The Tate Gallery, Millbank (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Tate Gallery, Millbank)

Background imageTate Gallery Collection: National Gallery of British Art (litho)

National Gallery of British Art (litho)
1597722 National Gallery of British Art (litho) by Holland Tringham, Joseph (1861-1908); Private Collection; (add.info.: National Gallery of British Art)

Background imageTate Gallery Collection: National Gallery of British Art, the Central Hall (b / w photo)

National Gallery of British Art, the Central Hall (b / w photo)
2803243 National Gallery of British Art, the Central Hall (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: National Gallery of British Art)

Background imageTate Gallery Collection: Government help for the unemployed (engraving)

Government help for the unemployed (engraving)
614591 Government help for the unemployed (engraving) by English School, (19th century); Private Collection; (add.info.: Government help for the unemployed: sketches in and out of Millbank Prison)

Background imageTate Gallery Collection: Museums and Art Galleries in London used to house government departments during World War I

Museums and Art Galleries in London used to house government departments during World War I (b / w photo)
6015412 Museums and Art Galleries in London used to house government departments during World War I (b/w photo) by English Photographer

Background imageTate Gallery Collection: The Opening of the National Gallery of British Art, the Prince of Wales thanking Mr Tate in

The Opening of the National Gallery of British Art, the Prince of Wales thanking Mr Tate in the Name of the British
1042749 The Opening of the National Gallery of British Art, the Prince of Wales thanking Mr Tate in the Name of the British Nation (litho) by Paget

Background imageTate Gallery Collection: The Age of Innocence, c1788, (c1912). Artist: Sir Joshua Reynolds

The Age of Innocence, c1788, (c1912). Artist: Sir Joshua Reynolds
The Age of Innocence, c1788, (c1912). Painting in the Tate Gallery, London. British portrait painter Sir Joshua Reynolds (1723-1792) promoted the ‘ Grand Style in painting

Background imageTate Gallery Collection: Edfou: Upper-Egypt, 1860, (c1915). Artist: John Frederick Lewis

Edfou: Upper-Egypt, 1860, (c1915). Artist: John Frederick Lewis
Edfou: Upper-Egypt, 1860, (c1915). The painting is held by the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageTate Gallery Collection: Roman Canal, Lincolnshire, c1840, (c1915). Artist: Peter de Wint

Roman Canal, Lincolnshire, c1840, (c1915). Artist: Peter de Wint
Roman Canal, Lincolnshire, c1840, (c1915). The painting is held by the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageTate Gallery Collection: Faults on Both Sides, 1861, (1911). Artist: Thomas Faed

Faults on Both Sides, 1861, (1911). Artist: Thomas Faed
Faults on Both Sides, 1861, (1911). Painting held at the Tate, London. From Bibbys Annual 1911. [J. Bibby & Sons, Liverpool, 1911]

Background imageTate Gallery Collection: Harmony, 1877, (1912). Artist: Frank Dicksee

Harmony, 1877, (1912). Artist: Frank Dicksee
Harmony, 1877, (1912). Painting held at the Tate, London. From Bibbys Annual 1912, [ J. Bibby & Sons, Liverpool, 1912]

Background imageTate Gallery Collection: The All-Pervading, c1887, (1912). Artist: George Frederick Watts

The All-Pervading, c1887, (1912). Artist: George Frederick Watts
The All-Pervading, c1887, (1912). Painting held at the Tate, London. From Bibbys Annual 1912, [ J. Bibby & Sons, Liverpool, 1912]

Background imageTate Gallery Collection: No News, c1833, (c1915). Artist: Thomas Sword Good

No News, c1833, (c1915). Artist: Thomas Sword Good
No News, c1833, (c1915). Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageTate Gallery Collection: A Scene from Tristram Shandy (?Uncle Toby and the Widow Wadman?), 1829?30, (c1915)

A Scene from Tristram Shandy (?Uncle Toby and the Widow Wadman?), 1829?30, (c1915). Artist: Charles Robert Leslie
A Scene from Tristram Shandy (?Uncle Toby and the Widow Wadman?), 1829-30, (c1915). Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageTate Gallery Collection: Youth on the Prow and Pleasure at the Helm, 1830-32, (c1915). Artist: William Etty

Youth on the Prow and Pleasure at the Helm, 1830-32, (c1915). Artist: William Etty
Youth on the Prow and Pleasure at the Helm, 1830-32, (c1915). Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageTate Gallery Collection: Winters Sleep, 1900, (c1900). Artist: Harry William Adams

Winters Sleep, 1900, (c1900). Artist: Harry William Adams
Winters Sleep, 1900, (c1900). Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageTate Gallery Collection: Low Life - High Life, 1829 (c1900). Artist: Edwin Henry Landseer

Low Life - High Life, 1829 (c1900). Artist: Edwin Henry Landseer
Low Life - High Life, 1829 (c1900). Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageTate Gallery Collection: Her Mothers Voice, c1888, (c1900). Artist: William Quiller Orchardson

Her Mothers Voice, c1888, (c1900). Artist: William Quiller Orchardson
Her Mothers Voice, c1888, (c1900). Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageTate Gallery Collection: The Harbour of Refuge, 1872, (c1900). Artist: Fred Walker

The Harbour of Refuge, 1872, (c1900). Artist: Fred Walker
The Harbour of Refuge, 1872, (c1900). Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageTate Gallery Collection: The Sick Child, 1907. Artist: Edvard Munch

The Sick Child, 1907. Artist: Edvard Munch
The Sick Child, 1907. Painting held at The Tate, London. From Die Meister Des XX. Jahrhunderts I. [Verlag E. A. Seemann, Leipzig, 1935]

Background imageTate Gallery Collection: Venice: Ducal Palace with a Religious Procession, c1828. Artist: Richard Parkes Bonington

Venice: Ducal Palace with a Religious Procession, c1828. Artist: Richard Parkes Bonington
Venice: Ducal Palace with a Religious Procession, c1828. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I

Background imageTate Gallery Collection: An Unmarried Sailors Return, c1800. Artist: Julius Caesar Ibbetson

An Unmarried Sailors Return, c1800. Artist: Julius Caesar Ibbetson
An Unmarried Sailors Return, c1800. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Background imageTate Gallery Collection: A Married Sailors Return, c1800. Artist: Julius Caesar Ibbetson

A Married Sailors Return, c1800. Artist: Julius Caesar Ibbetson
A Married Sailors Return, c1800. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Background imageTate Gallery Collection: Lady Georgiana Fane, 1806, (1911). Artist: Thomas Lawrence

Lady Georgiana Fane, 1806, (1911). Artist: Thomas Lawrence
Lady Georgiana Fane, 1806, (1911). Lady Georgiana was a daughter of John Fane, 10th Earl of Westmorland (1759-1841), Lord Privy Seal for thirty years. Painting held at The Tate, London

Background imageTate Gallery Collection: Lady Georgiana Fane, c1806. Artist: Thomas Lawrence

Lady Georgiana Fane, c1806. Artist: Thomas Lawrence
Lady Georgiana Fane, c1806. Painting held at the Tate, London. From The British Genius, by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]



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The Tate Gallery is a treasure trove of artistic masterpieces, showcasing the works of renowned artists from various periods. Among its collection are pieces that capture the essence of different eras and evoke a range of emotions. One such artwork is "King Charles Spaniels (The Cavaliers Pets)" by Edwin Henry Landseer. Painted in 1845, this piece depicts adorable spaniels with their expressive eyes and soft fur, capturing their playful nature. Another captivating painting is "Diana of the Uplands" by Charles Wellington Furse. Created between 1903-1904, this masterpiece portrays a strong and ethereal woman surrounded by nature's beauty, symbolizing her connection to the wilderness. Anna Lea Merritt's "Love Locked Out" from 1889 tells a poignant story through art. This piece showcases unrequited love as two figures stand on either side of an iron gate, separated yet yearning for each other's embrace. Thomas Webster's "A Dames School, " painted in 1845, offers a glimpse into Victorian education. It captures young girls engrossed in their studies under the watchful eye of their teacher, reflecting both discipline and innocence. Harold Gilman's "Mrs Mounter at the Breakfast Table" transports us to early twentieth-century domestic life. The painting presents an intimate scene where Mrs Mounter sits alone at her breakfast table amidst humble surroundings but exuding dignity and strength. "The Wedding of St George and Princess Sabra" by Dante Gabriel Rossetti takes us back to medieval times with its vibrant colors and intricate details. This enchanting artwork narrates a tale of love triumphing over adversity through its mythical subject matter. George Frederick Watts' enigmatic painting titled "The Dweller in the Innermost, " created around 1885, invites contemplation about our inner selves. With dark tones contrasting against bursts of light, it explores themes of introspection and self-discovery.