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Mouse Mat : Cover of " Les Crobeaux (Paris)", number 170, Satirique en Couleurs, 1908_6_28: At the entrance of paradise - Anticlericalism - Paradis, Betisement of religious -s Pierre, Ane, Devot/Parroissien, Saints
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Cover of " Les Crobeaux (Paris)", number 170, Satirique en Couleurs, 1908_6_28: At the entrance of paradise - Anticlericalism - Paradis, Betisement of religious -s Pierre, Ane, Devot/Parroissien, Saints
ICA4875417 Cover of " Les Crobeaux (Paris)", number 170, Satirique en Couleurs, 1908_6_28: At the entrance of paradise - Anticlericalism - Paradis, Betisement of religious -s Pierre, Ane, Devot/Parroissien, Saints; (add.info.: Cover of " Les Crobeaux (Paris)", number 170, Satirique en Couleurs, 1908_6_28: At the entrance of paradise - Anticlericalism - Paradis, Betisement of religious -s Pierre, Ane, Devot/Parroissien, Saints); Photo © Caricadoc
Media ID 38427074
© © Caricadoc / Bridgeman Images
Animalization Anticlericalism Believer Blowjob Chaplet Hospitality Life After Death Paradise Saint Peter A Journal Aureole Caricadoc
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 18.8cm x 23.7cm (7.4" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the cover of "Les Crobeaux (Paris)" from 1908, showcasing a satirical and colorful depiction of anticlericalism. The image features a humorous portrayal of the entrance to paradise, with various religious figures such as Saint Pierre, a donkey, devout parishioners, and saints depicted in a caricatured manner.
The artwork reflects the artist's commentary on religion and society during the early 20th century in France. Through clever satire and playful imagery, the cover challenges traditional beliefs and questions authority within the church.
The use of animals alongside human figures adds an element of whimsy to the composition, while symbols like clouds and keys allude to themes of spirituality and life after death. The inclusion of a chaplet, pipe, and other details further enrich the narrative woven into this intricate illustration.
Overall, this print serves as a window into a bygone era where artists used their craft to critique societal norms and spark conversations about faith and power. It is a fascinating glimpse into history that continues to resonate with viewers today.
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