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Metal Print : Cover of " Les Crobeaux (Paris)", number 170, Satirique en Couleurs, 1908_6_28: At the entrance of paradise - Anticlericalism - Paradis, Betisement of religious -s Pierre, Ane, Devot/Parroissien, Saints

Cover of ' Les Crobeaux (Paris)', number 170, Satirique en Couleurs, 1908_6_28: At the entrance of paradise - Anticlericalism - Paradis, Betisement of religious -s Pierre, Ane, Devot / Parroissien, Saints



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Cover of " Les Crobeaux (Paris)", number 170, Satirique en Couleurs, 1908_6_28: At the entrance of paradise - Anticlericalism - Paradis, Betisement of religious -s Pierre, Ane, Devot/Parroissien, Saints

ICA4875417 Cover of " Les Crobeaux (Paris)", number 170, Satirique en Couleurs, 1908_6_28: At the entrance of paradise - Anticlericalism - Paradis, Betisement of religious -s Pierre, Ane, Devot/Parroissien, Saints; (add.info.: Cover of " Les Crobeaux (Paris)", number 170, Satirique en Couleurs, 1908_6_28: At the entrance of paradise - Anticlericalism - Paradis, Betisement of religious -s Pierre, Ane, Devot/Parroissien, Saints); Photo © Caricadoc

Media ID 38427074

© © Caricadoc / Bridgeman Images

Animalization Anticlericalism Believer Blowjob Chaplet Hospitality Life After Death Paradise Saint Peter A Journal Aureole Caricadoc


16"x20" (51x41cm) Metal Print

Uncover the power of art with our Metal Prints from Media Storehouse. This stunning piece features 'Cover of "Les Crobeaux (Paris)", number 170, Satirique en Couleurs, 1908_6_28: At the entrance of paradise - Anticlericalism - Paradis' by Bridgeman Images from Fine Art Finder. A satirical masterpiece that pokes fun at religious dogma, this print is sure to spark conversation and add a touch of sophistication to any room.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Unknown Artist

> Animals > Farm > Donkeys > Related Images

> Arts > Artists > L > Peter Lely

> North America > Saint Pierre and Miquelon > Saint-Pierre


EDITORS COMMENTS
This print captures the cover of "Les Crobeaux (Paris)" from 1908, showcasing a satirical and colorful depiction of anticlericalism. The image features a humorous portrayal of the entrance to paradise, with various religious figures such as Saint Pierre, a donkey, devout parishioners, and saints depicted in a caricatured manner. The artwork reflects the artist's commentary on religion and society during the early 20th century in France. Through clever satire and playful imagery, the cover challenges traditional beliefs and questions authority within the church. The use of animals alongside human figures adds an element of whimsy to the composition, while symbols like clouds and keys allude to themes of spirituality and life after death. The inclusion of a chaplet, pipe, and other details further enrich the narrative woven into this intricate illustration. Overall, this print serves as a window into a bygone era where artists used their craft to critique societal norms and spark conversations about faith and power. It is a fascinating glimpse into history that continues to resonate with viewers today.

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