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Mouse Mat : No Wonder He Was Ill from The Verdict (colour litho)

No Wonder He Was Ill from The Verdict (colour litho)




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No Wonder He Was Ill from The Verdict (colour litho)

PNP258721 No Wonder He Was Ill from The Verdict (colour litho) by Luks, George Benjamin (1867-1933); Private Collection; (add.info.: William Mckinley (1843-190) 25th President of the United States; ); Peter Newark American Pictures; American, out of copyright

Media ID 25169060

© Peter Newark American Pictures / Bridgeman Images

Ashcan School Bandaged Ill Health Illness Sick Sickness The Eight


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > L > George Luks

> Arts > Pop art > Satire > Satirical artwork

> People > Politicians

> Popular Themes > Politics


EDITORS COMMENTS
The captivating print titled "No Wonder He Was Ill from The Verdict" by George Benjamin Luks depicts the 25th President of the United States, William McKinley, in a satirical and thought-provoking manner. In this colour litho masterpiece, Luks skillfully portrays McKinley's ill health through powerful symbolism. Seated with a profile view, McKinley is shown engulfed in smoke from an enormous cigar that he holds between his fingers. This striking image highlights the detrimental effects of smoking on one's well-being. Furthermore, the president appears bandaged and surrounded by medicine bottles, indicating his deteriorating physical condition. Luks' artistic style reflects elements of caricature and satire prevalent during the Ashcan School movement. Through this political portrait, he critiques not only McKinley but also American government as a whole. The artist cleverly captures the public sentiment towards politicians at that time. This intriguing artwork serves as a reminder of how illness can be influenced by external factors such as lifestyle choices and stressors associated with political leadership. It prompts viewers to reflect upon their own health habits while questioning societal norms surrounding power figures. Displayed within private collections worldwide, this iconic piece continues to provoke discussions about medical issues intertwined with politics and serves as a testament to Luks' talent for creating impactful visual narratives.

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