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The Eight Collection

"The Eight: A Captivating Glimpse into Urban Realism" Step into a world where art breathes life into the streets, as "The Eight" captures the essence of everyday moments

Background imageThe Eight Collection: A Foggy Night (oil on canvas)

A Foggy Night (oil on canvas)
CH203850 A Foggy Night (oil on canvas) by Luks, George Benjamin (1867-1933); Private Collection; Photo © Christies Images

Background imageThe Eight Collection: Nursemaids, High Bridge Park (oil on canvas)

Nursemaids, High Bridge Park (oil on canvas)
CH204285 Nursemaids, High Bridge Park (oil on canvas) by Luks, George Benjamin (1867-1933); Private Collection; Photo © Christies Images

Background imageThe Eight Collection: Woman Churning Butter (oil on panel)

Woman Churning Butter (oil on panel)
BRN165349 Woman Churning Butter (oil on panel) by Luks, George Benjamin (1867-1933); The Barnes Foundation, Philadelphia, Pennsylvania, USA; © Barnes Foundation

Background imageThe Eight Collection: Foggy Night, New York, (oil on canvas)

Foggy Night, New York, (oil on canvas)
650562 Foggy Night, New York, (oil on canvas) by Luks, George Benjamin (1867-1933); 76.8x63.5 cm; Private Collection; (add.info.: Foggy Night, New York. George Benjamin Luks (1866-1933)

Background imageThe Eight Collection: Railroad Crossing, The Berkshires, c. 1925 (w / c and pencil on paper)

Railroad Crossing, The Berkshires, c. 1925 (w / c and pencil on paper)
3614011 Railroad Crossing, The Berkshires, c.1925 (w/c and pencil on paper) by Luks, George Benjamin (1867-1933); 35.2x50.5 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageThe Eight Collection: The Clownss Daughter, (oil on canvas laid on board)

The Clownss Daughter, (oil on canvas laid on board)
650734 The Clownss Daughter, (oil on canvas laid on board) by Luks, George Benjamin (1867-1933); 76.2x64 cm; Private Collection; (add.info.: The Clownss Daughter. George Benjamin Luks (1867-1933)

Background imageThe Eight Collection: The Ledge, Elizabeth, Maine (oil on canvas)

The Ledge, Elizabeth, Maine (oil on canvas)
CH204298 The Ledge, Elizabeth, Maine (oil on canvas) by Luks, George Benjamin (1867-1933); Private Collection; Photo © Christies Images

Background imageThe Eight Collection: Spring Morning, Houston and Division Streets, New York, 1922 (oil on canvas)

Spring Morning, Houston and Division Streets, New York, 1922 (oil on canvas)
CH203833 Spring Morning, Houston and Division Streets, New York, 1922 (oil on canvas) by Luks, George Benjamin (1867-1933); Private Collection; Photo © Christies Images; American

Background imageThe Eight Collection: Central Park (oil on canvas)

Central Park (oil on canvas)
FIN108225 Central Park (oil on canvas) by Luks, George Benjamin (1867-1933); 80x87.6 cm; Private Collection; David Findlay Jr Fine Art, NYC, USA

Background imageThe Eight Collection: No Wonder He Was Ill from The Verdict (colour litho)

No Wonder He Was Ill from The Verdict (colour litho)
PNP258721 No Wonder He Was Ill from The Verdict (colour litho) by Luks, George Benjamin (1867-1933); Private Collection; (add.info)

Background imageThe Eight Collection: Madison Square, (oil on panel)

Madison Square, (oil on panel)
651139 Madison Square, (oil on panel) by Luks, George Benjamin (1867-1933); 81.6x112.8 cm; Private Collection; (add.info.: Madison Square. George Benjamin Luks (1867-1933). Oil on panel

Background imageThe Eight Collection: Portrait of Miss Ruth Breslin, 1925 (oil on canvas)

Portrait of Miss Ruth Breslin, 1925 (oil on canvas)
650952 Portrait of Miss Ruth Breslin, 1925 (oil on canvas) by Luks, George Benjamin (1867-1933); 75x63.5 cm; Private Collection; (add.info.: Portrait of Miss Ruth Breslin)

Background imageThe Eight Collection: The Ledge, Cape Elizabeth, Maine, 1922 (oil on canvas)

The Ledge, Cape Elizabeth, Maine, 1922 (oil on canvas)
650566 The Ledge, Cape Elizabeth, Maine, 1922 (oil on canvas) by Luks, George Benjamin (1867-1933); 40.9x51.1 cm; Private Collection; (add.info.: The Ledge, Cape Elizabeth, Maine)

Background imageThe Eight Collection: Knitters, High Bridge Park, (oil on canvas)

Knitters, High Bridge Park, (oil on canvas)
822997 Knitters, High Bridge Park, (oil on canvas) by Luks, George Benjamin (1867-1933); 76.1x91.5 cm; Private Collection; (add.info.: Knitters, High Bridge Park. George Benjamin Luks (1866-1933)

Background imageThe Eight Collection: Boxing Match, 1910 (oil on canvas)

Boxing Match, 1910 (oil on canvas)
HEH372341 Boxing Match, 1910 (oil on canvas) by Luks, George Benjamin (1867-1933); 61x76.2 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageThe Eight Collection: The Hobo Musician, (oil on canvas)

The Hobo Musician, (oil on canvas)
650955 The Hobo Musician, (oil on canvas) by Luks, George Benjamin (1867-1933); 95x89 cm; Private Collection; (add.info.: The Hobo Musician. George Benjamin Luks (1866-1933). Oil on canvas

Background imageThe Eight Collection: Grants Tomb, New York National Monument, Winter (oil on canvas)

Grants Tomb, New York National Monument, Winter (oil on canvas)
CH204258 Grants Tomb, New York National Monument, Winter (oil on canvas) by Lawson, Ernest (1873-1939); Private Collection; (add.info)

Background imageThe Eight Collection: Giant Sky, 1913 (oil on board)

Giant Sky, 1913 (oil on board)
1767588 Giant Sky, 1913 (oil on board) by Bellows, George Wesley (1882-1925); 38.1x49.6 cm; Private Collection; (add.info.: Giant Sky. George Wesley Bellows (1882-1925). Oil on board

Background imageThe Eight Collection: Fountain, Central Park (watercolour and pencil on paper)

Fountain, Central Park (watercolour and pencil on paper)
1767328 Fountain, Central Park (watercolour and pencil on paper) by Prendergast, Maurice Brazil (1858/9-1924); 31.8x48.3 cm; Private Collection; (add.info.: Fountain, Central Park)

Background imageThe Eight Collection: The Green Beach Cottage, Belport, Long Island (oil)

The Green Beach Cottage, Belport, Long Island (oil)
CH203836 The Green Beach Cottage, Belport, Long Island (oil) by Glackens, William James (1870-1938); Private Collection; Photo eChristies Images; American, out of copyright

Background imageThe Eight Collection: The Flatiron Building, New York, c. 1903-05 (oil on board)

The Flatiron Building, New York, c. 1903-05 (oil on board)
CH89266 The Flatiron Building, New York, c.1903-05 (oil on board) by Lawson, Ernest (1873-1939); 53x38.8 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageThe Eight Collection: Riverside Drive, (pen and black ink, brush and ink wash and Chinese white on board)

Riverside Drive, (pen and black ink, brush and ink wash and Chinese white on board)
651016 Riverside Drive, (pen and black ink, brush and ink wash and Chinese white on board) by Glackens, William James (1870-1938); 27.3x29.9 cm; Private Collection; (add.info.: Riverside Drive)

Background imageThe Eight Collection: A Greater Morning, (oil on canvas)

A Greater Morning, (oil on canvas)
651008 A Greater Morning, (oil on canvas) by Davies, Arthur Bowen (1862-1928); 59.3x71.1 cm; Private Collection; (add.info.: A Greater Morning. Arthur Bowen Davies (1862-1928). Oil on canvas

Background imageThe Eight Collection: A Red-Haired Model, (oil on canvas)

A Red-Haired Model, (oil on canvas)
650951 A Red-Haired Model, (oil on canvas) by Glackens, William James (1870-1938); 61.6x51.4 cm; Private Collection; (add.info.: A Red-Haired Model. William James Glackens (1870-1938). Oil on canvas

Background imageThe Eight Collection: Massachusetts Beach Scene, (watercolor, pastel, gouache and pencil on paper)

Massachusetts Beach Scene, (watercolor, pastel, gouache and pencil on paper)
650926 Massachusetts Beach Scene, (watercolor, pastel, gouache and pencil on paper) by Prendergast, Maurice Brazil (1858/9-1924); 39x56.2 cm; Private Collection; (add.info)

Background imageThe Eight Collection: Promenade, (oil on board laid on panel)

Promenade, (oil on board laid on panel)
650924 Promenade, (oil on board laid on panel) by Prendergast, Maurice Brazil (1858/9-1924); 26.7x34.9 cm; Private Collection; (add.info.: Promenade. Maurice Brazil Prendergast (1859-1924)

Background imageThe Eight Collection: New England Landscapes, (oil on canvas)

New England Landscapes, (oil on canvas)
985501 New England Landscapes, (oil on canvas) by Glackens, William James (1870-1938); 61x81.2 cm; Private Collection; (add.info.: New England Landscapes. William James Glackens (1870-1938)

Background imageThe Eight Collection: Town Pier - Blue Point, Long Island, (oil on canvas)

Town Pier - Blue Point, Long Island, (oil on canvas)
985497 Town Pier - Blue Point, Long Island, (oil on canvas) by Glackens, William James (1870-1938); 66x81.3 cm; Private Collection; (add.info.: Town Pier - Blue Point, Long Island)

Background imageThe Eight Collection: The Cove, (watercolour, pastel and pencil on paper)

The Cove, (watercolour, pastel and pencil on paper)
985293 The Cove, (watercolour, pastel and pencil on paper) by Prendergast, Maurice Brazil (1858/9-1924); 38x56 cm; Private Collection; (add.info.: The Cove. Maurice Brazil Prendergast (1859-1924)

Background imageThe Eight Collection: Lacemakers, Venice, 1898 (watercolour and pencil on paper)

Lacemakers, Venice, 1898 (watercolour and pencil on paper)
985183 Lacemakers, Venice, 1898 (watercolour and pencil on paper) by Prendergast, Maurice Brazil (1858/9-1924); 34.9x24.8 cm; Private Collection; (add.info.: Lacemakers, Venice)

Background imageThe Eight Collection: Little Half Breed, 1917 (oil on canvas)

Little Half Breed, 1917 (oil on canvas)
985043 Little Half Breed, 1917 (oil on canvas) by Henri, Robert Cozad (1865-1929); 61.2x50.8 cm; Private Collection; (add.info.: Little Half Breed. Robert Henri (1865-1929). Oil on canvas

Background imageThe Eight Collection: Afternoon Stroll, Summer, (oil on canvas)

Afternoon Stroll, Summer, (oil on canvas)
985028 Afternoon Stroll, Summer, (oil on canvas) by Prendergast, Maurice Brazil (1858/9-1924); 51.4x61 cm; Private Collection; (add.info.: Afternoon Stroll, Summer)

Background imageThe Eight Collection: The Green Car, 1910 (oil on canvas)

The Green Car, 1910 (oil on canvas)
3613989 The Green Car, 1910 (oil on canvas) by Glackens, William James (1870-1938); 61x81.3 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageThe Eight Collection: The Picnic, c. 1912-15 (w / c & pastel over graphite)

The Picnic, c. 1912-15 (w / c & pastel over graphite)
873275 The Picnic, c.1912-15 (w/c & pastel over graphite) by Prendergast, Maurice Brazil (1858/9-1924); 34.29 x48.26 cm; San Diego Museum of Art

Background imageThe Eight Collection: Park (Woman in Blue under a Tree) (pastel on paper)

Park (Woman in Blue under a Tree) (pastel on paper)
BRN165360 Park (Woman in Blue under a Tree) (pastel on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American

Background imageThe Eight Collection: Man at a Bar (pencil on paper)

Man at a Bar (pencil on paper)
BRN165334 Man at a Bar (pencil on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Background imageThe Eight Collection: The Little Irishman, 1913 (oil on canvas)

The Little Irishman, 1913 (oil on canvas)
FIN108220 The Little Irishman, 1913 (oil on canvas) by Henri, Robert Cozad (1865-1929); 61x50.8 cm; Private Collection; David Findlay Jr Fine Art, NYC, USA; American, out of copyright

Background imageThe Eight Collection: Gave her Daughter-in-law a Piece of her Mind (mixed media on paper)

Gave her Daughter-in-law a Piece of her Mind (mixed media on paper)
BRN161517 Gave her Daughter-in-law a Piece of her Mind (mixed media on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania

Background imageThe Eight Collection: Woman with Hand in Hair (black chalk on paper)

Woman with Hand in Hair (black chalk on paper)
BRN161673 Woman with Hand in Hair (black chalk on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Background imageThe Eight Collection: Woman with Broad-Brimmed Hat (black chalk on paper)

Woman with Broad-Brimmed Hat (black chalk on paper)
BRN161662 Woman with Broad-Brimmed Hat (black chalk on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American

Background imageThe Eight Collection: Red - Two Women and a Head (pastel on paper)

Red - Two Women and a Head (pastel on paper)
BRN161644 Red - Two Women and a Head (pastel on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Background imageThe Eight Collection: Street Scene with Three Drunks (pencil and wash on paper)

Street Scene with Three Drunks (pencil and wash on paper)
BRN160546 Street Scene with Three Drunks (pencil and wash on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American

Background imageThe Eight Collection: Pigeon-Toed Man (pencil on paper)

Pigeon-Toed Man (pencil on paper)
BRN161655 Pigeon-Toed Man (pencil on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Background imageThe Eight Collection: Park Street Church, Boston, c. 1905-1907 (watercolour and pencil on paper)

Park Street Church, Boston, c. 1905-1907 (watercolour and pencil on paper)
985299 Park Street Church, Boston, c.1905-1907 (watercolour and pencil on paper) by Prendergast, Maurice Brazil (1858/9-1924); 28x38.8 cm; Private Collection; (add.info.: Park Street Church, Boston)

Background imageThe Eight Collection: Dawn, 1913 (oil on panel)

Dawn, 1913 (oil on panel)
985246 Dawn, 1913 (oil on panel) by Prendergast, Maurice Brazil (1858/9-1924); 26.7x35 cm; Private Collection; (add.info.: Dawn; Le Crepuscule. Maurice Brazil Prendergast (1854-1924). Oil on panel

Background imageThe Eight Collection: Cap Noir, St. Pierre, 1902 (oil on canvas)

Cap Noir, St. Pierre, 1902 (oil on canvas)
985138 Cap Noir, St. Pierre, 1902 (oil on canvas) by Glackens, William James (1870-1938); 63.5x76.2 cm; Private Collection; (add.info.: Cap Noir, St. Pierre. William James Glackens (1870-1938)



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"The Eight: A Captivating Glimpse into Urban Realism" Step into a world where art breathes life into the streets, as "The Eight" captures the essence of everyday moments. From foggy nights to bustling city scenes, these masterpieces transport us through time and space. In "A Foggy Night, " the oil on canvas painting envelops us in an eerie atmosphere, shrouded in mystery and intrigue. Nursemaids stroll through High Bridge Park, their presence adding a touch of tenderness amidst the urban chaos. "Woman Churning Butter" takes us back to simpler times, reminding us of forgotten traditions and domestic serenity. The meticulous strokes on panel bring forth a sense of nostalgia that warms our hearts. "Hester Street, 1905" immerses us in the vibrant tapestry of immigrant life. Through bold brushstrokes on canvas, we witness the hustle and bustle of this melting pot cityscape—a testament to diversity and resilience. As night falls again in "Foggy Night, New York, " we find ourselves lost within its ethereal beauty. The interplay between light and shadow creates an otherworldly ambiance that captivates our imagination. "The Railroad Crossing, The Berkshires" transports us to a serene countryside with watercolor and pencil on paper. We can almost hear the distant chugging train as it traverses nature's untouched landscapes—an escape from urbanity's grip. In "The Clown's Daughter, " oil on canvas laid on board reveals tender family ties hidden behind painted smiles—a poignant reminder that even entertainers have stories beyond their performances. "The Ledge, Elizabeth Maine" invites us to explore coastal tranquility through delicate brushwork upon canvas. Waves crash against rugged cliffs as seagulls soar above—nature's raw power juxtaposed against human vulnerability. With "Spring Morning at Houston and Division Streets, " we are transported back to 1922 New York.