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Mouse Mat : Robert Allan of Kirkliston, 1800 (oil on canvas)
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Robert Allan of Kirkliston, 1800 (oil on canvas)
TW426975 Robert Allan of Kirkliston, 1800 (oil on canvas) by Raeburn, Henry (1756-1823); 125.5x100.2 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: Robert Allan of Kirkliston (1740-1818); Even more than most portrait painters, Henry Raeburn believed in focusing on the face, in order to express character. In this picture, light picks out the features of the Scottish banker Robert Allan, and reflects from the folded surfaces of his business letters. The wide, square lines of his chair, and the plain background create a masculine atmosphere. Reddish-brown tones in the background add warmth to the portrait; ); eTyne & Wear Archives & Museums; Scottish, out of copyright
Media ID 23476376
© Tyne & Wear Archives & Museums / Bridgeman Images
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 19.5cm x 23.7cm (7.7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait, titled "Robert Allan of Kirkliston, 1800" captures the essence of Scottish banker Robert Allan with remarkable precision. Painted by Henry Raeburn in oil on canvas, this masterpiece measures 125.5x100.2 cm and is currently housed at the Laing Art Gallery in Newcastle-upon-Tyne, UK. Raeburn's unique approach to portraiture is evident in this work, as he skillfully focuses on Allan's face to convey his character. The play of light accentuates every feature of the subject while also reflecting off the folded surfaces of business letters held by Allan. The artist's attention to detail extends beyond facial expressions; even the wide and square lines of Allan's chair contribute to a masculine atmosphere that permeates the painting. The background, painted in reddish-brown tones, adds warmth and depth to this striking portrait. It serves as a perfect backdrop for highlighting both Allan's distinguished presence and his professional demeanor. Intriguingly composed as a three-quarter-length portrait, we see Robert Allan seated comfortably while engrossed in reading a letter or document. This composition not only showcases his intellectual pursuits but also suggests an air of authority and importance associated with his position as a prominent banker during that era. "Robert Allan of Kirkliston" exemplifies Raeburn's mastery in capturing not just physical likeness but also revealing inner qualities through careful observation and artistic technique. This timeless piece continues to captivate viewers today with its
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