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Fine Art Print : Robert Allan of Kirkliston, 1800 (oil on canvas)

Robert Allan of Kirkliston, 1800 (oil on canvas)



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Robert Allan of Kirkliston, 1800 (oil on canvas)

TW426975 Robert Allan of Kirkliston, 1800 (oil on canvas) by Raeburn, Henry (1756-1823); 125.5x100.2 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: Robert Allan of Kirkliston (1740-1818); Even more than most portrait painters, Henry Raeburn believed in focusing on the face, in order to express character. In this picture, light picks out the features of the Scottish banker Robert Allan, and reflects from the folded surfaces of his business letters. The wide, square lines of his chair, and the plain background create a masculine atmosphere. Reddish-brown tones in the background add warmth to the portrait; ); eTyne & Wear Archives & Museums; Scottish, out of copyright

Media ID 23476376

© Tyne & Wear Archives & Museums / Bridgeman Images


20"x16" (+3" Border) Fine Art Print

Experience the captivating allure of Scottish history with our exquisite fine art print of Robert Allan of Kirkliston by Henry Raeburn from Bridgeman Images. This masterpiece, originally painted in oil on canvas in 1800, showcases the distinguished subject with unparalleled detail and depth. Bring the timeless elegance and rich heritage of Scottish art into your home or office with this stunning addition to your collection.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Henry Raeburn

> Fine Art Finder > Artists > Russian Photographer (after)

> Fine Art Finder > Men 19th & Early 20th Century

> Animals > Mammals > Cats (Domestic) > Scottish Fold

> Animals > Mammals > Muridae > Plains Mouse

> Arts > Artists > R > Henry Raeburn

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> Arts > Still life artwork > Oil paintings > Portrait paintings

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> Arts > Street art graffiti > Portraits > Fine art

> Europe > United Kingdom > England > Herefordshire > Ledbury > Robert Browning

> Europe > United Kingdom > England > Tyne and Wear > Newcastle upon Tyne

> Europe > United Kingdom > England > Tyne and Wear > Related Images


EDITORS COMMENTS
This portrait, titled "Robert Allan of Kirkliston, 1800" captures the essence of Scottish banker Robert Allan with remarkable precision. Painted by Henry Raeburn in oil on canvas, this masterpiece measures 125.5x100.2 cm and is currently housed at the Laing Art Gallery in Newcastle-upon-Tyne, UK. Raeburn's unique approach to portraiture is evident in this work, as he skillfully focuses on Allan's face to convey his character. The play of light accentuates every feature of the subject while also reflecting off the folded surfaces of business letters held by Allan. The artist's attention to detail extends beyond facial expressions; even the wide and square lines of Allan's chair contribute to a masculine atmosphere that permeates the painting. The background, painted in reddish-brown tones, adds warmth and depth to this striking portrait. It serves as a perfect backdrop for highlighting both Allan's distinguished presence and his professional demeanor. Intriguingly composed as a three-quarter-length portrait, we see Robert Allan seated comfortably while engrossed in reading a letter or document. This composition not only showcases his intellectual pursuits but also suggests an air of authority and importance associated with his position as a prominent banker during that era. "Robert Allan of Kirkliston" exemplifies Raeburn's mastery in capturing not just physical likeness but also revealing inner qualities through careful observation and artistic technique. This timeless piece continues to captivate viewers today with its

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