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Alexander inspecting the Ruins of Esagila (litho)
8660923 Alexander inspecting the Ruins of Esagila (litho) by Wright, Henry Charles Seppings (1850-1937); Private Collection; (add.info.: Alexander inspecting the Ruins of Esagila. On his capture of Babylon in 331 BC Alexander, according to tradition, wished to restore Esagila, the temple of Marduk, which had been allowed to fall into decay since its partial destruction by Xerxes. But, on seeing the mounds of fallen brickwork, he gave up the idea. The piers of the bridge on which he stands are built in the shape of boats which they displaced. Illustration for Hutchinson's History of the Nations (Hutchinson, c.1920). Note: Image has been digitally enhanced to facilitate repro.); © Look and Learn
Media ID 38114886
© © Look and Learn / Bridgeman Images
Arab Country Babylon Babylonian Babylonians Captivity Capture Irak Iraq Iraq Iraq Iraqi Mesopotamia Shape Shapes Xerxes Xerxes I 518 465 Xerxes The Great Arab Civilization Arab Culture Arabians
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 16.3cm x 23.7cm (6.4" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This lithograph captures the moment when Alexander the Great inspects the ruins of Esagila, the temple of Marduk in Babylon. According to tradition, upon capturing Babylon in 331 BC, Alexander had hoped to restore the temple which had fallen into disrepair since its partial destruction by Xerxes. However, upon seeing the mounds of fallen brickwork before him, he abandoned this ambitious plan.
The intricate details in this print showcase Alexander standing on piers shaped like boats that displaced them during construction. The scene is rich with historical significance and cultural symbolism, highlighting a pivotal moment in ancient Mesopotamian history.
The imagery adds a sense of timelessness to this depiction of antiquity, transporting viewers back to a bygone era filled with grandeur and mystery. The bridge stretching out behind Alexander serves as a poignant reminder of both past glory and inevitable decay.
As we gaze upon this image, we are reminded of the fleeting nature of power and empire - a timeless lesson encapsulated in these ancient ruins that continue to captivate our imagination centuries later.
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