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Mouse Mat : Disbanded, 1877 (oil on canvas)
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Disbanded, 1877 (oil on canvas)
6200824 Disbanded, 1877 (oil on canvas) by Pettie, John (1839-93); 94.5x67.3 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright
Media ID 23606380
© Dundee Art Galleries and Museums / Bridgeman Images
19 19th Xix Xixth Nineteenth Century Kilt Tam O Shanter
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.7cm x 23.7cm (7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Disbanded, 1877
EDITORS COMMENTS
is a captivating oil painting by Scottish artist John Pettie. The artwork, measuring 94.5x67.3 cm, can be found at The McManus in Dundee, UK. This masterpiece showcases the essence of traditional Scottish culture and military history. In this stunning portrayal, a lone male soldier stands tall and proud in his full-length military attire. Dressed in a vibrant kilt and adorned with a tam o' shanter hat, he exudes strength and resilience. His firm grip on the gun/rifle hints at the challenges he has faced during his service. Pettie's attention to detail is evident as he captures every fold of cloth on the soldier's uniform with precision. The rich colors used bring life to the canvas, creating an atmosphere that transports viewers back to Victorian-era Scotland. The title "Disbanded" suggests that this soldier may have been part of a disbanded regiment or unit following significant historical events in 1877. As we gaze upon this painting, we are reminded of the sacrifices made by countless individuals who served their country during turbulent times. This remarkable piece not only serves as an artistic representation but also acts as a visual time capsule from the nineteenth century – showcasing both historical significance and cultural heritage within its brushstrokes.
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