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Mouse Mat : The Octagon, from the south-east, from Graphic and Literary Illustrations of
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The Octagon, from the south-east, from Graphic and Literary Illustrations of
STC156077 The Octagon, from the south-east, from Graphic and Literary Illustrations of Fonthill Abbey by John Britton, 1823 (engraving) (b/w photo) by English School, (19th century); Private Collection; (add.info.: built by James Wyatt in 1795; home of William Beckford (1790-1844); ); The Stapleton Collection; English, out of copyright
Media ID 23350894
© The Stapleton Collection / Bridgeman Images
18th Century Architecture Country House Estate Fan Vault Gothic Revival Gothick Neo Gothic Octagonal Pointed Arch Vaulting Victorian Gothic Wiltshire
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.2cm x 23.7cm (6.8" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The Octagon: A Glimpse into Gothic Revival Majesty This print showcases 'The Octagon' from the south-east, a magnificent architectural masterpiece that once stood proudly as part of Fonthill Abbey. Built in 1795 by James Wyatt, this awe-inspiring octagonal structure served as the cherished home of William Beckford during the early 19th century. The engraving beautifully captures the essence of this neo-Gothic wonder, highlighting its intricate vaulting and pointed arches that adorned its interior. The tower's grandeur is further accentuated by the delicate fan vaults that gracefully stretch across its ceiling. Sadly, time was not kind to this extraordinary estate. The tower met its demise in 1825 when it was finally demolished, leaving behind only memories and artistic representations like this one. However, through this image, we can still appreciate the sheer magnificence and influence of gothic revival architecture on display at Fonthill Abbey. As we gaze upon this photograph print from Bridgeman Images' private collection, we are transported back to an era where country houses were transformed into works of art. This visual marvel serves as a testament to both Victorian gothic aesthetics and the enduring legacy left behind by William Beckford's beloved abode.
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