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Mouse Mat : Plate 239. Two Models; One Standing, the Other Sitting, Crossing Legs
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Plate 239. Two Models; One Standing, the Other Sitting, Crossing Legs
3950214 Plate 239. Two Models; One Standing, the Other Sitting, Crossing Legs, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 31.4x23.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume IV, Women (Nude)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 23659146
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Cross Legged Crossing Early Motion Picture Sequence Females Frames Legs Motion Sequence Sequential Stand Stop Motion B W Photo Black And White Photograph
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 18.6cm x 23.7cm (7.3" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph, titled "Plate 239. Two Models; One Standing, the Other Sitting, Crossing Legs" captures a unique moment frozen in time by Eadweard Muybridge. Taken between 1872-85 as part of his groundbreaking series "Animal Locomotion" this collotype print showcases Muybridge's pioneering work in early motion picture sequences. In this particular image, two female models are depicted - one standing while the other sits with her legs crossed. The contrast between their poses creates a dynamic composition that emphasizes movement and action. Muybridge's scientific approach to photography is evident as he meticulously captures each frame to study the sequential movements of these women. The nudity of the models adds an element of vulnerability and rawness to the photograph. By removing societal constraints imposed on clothing, Muybridge focuses solely on capturing the natural beauty and gracefulness of their bodies. Through his meticulous stop-motion technique, Muybridge revolutionized our understanding of human locomotion and paved the way for future advancements in cinematography. This image serves as a testament to his innovative spirit and dedication to pushing boundaries within both art and science. Now housed at Addison Gallery of American Art at Phillips Academy in Andover, MA, USA, this print continues to inspire viewers with its timeless exploration of movement and form.
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