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Plate 453. Two Models; 8 Kneels, Drinks from Water-Jar in Hands
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Plate 453. Two Models; 8 Kneels, Drinks from Water-Jar in Hands
3950274 Plate 453. Two Models; 8 Kneels, Drinks from Water-Jar in Hands, 1872-1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.2x34.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume IV, Women (Nude)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 23259722
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Early Motion Picture Sequence Ewer Females Frames Kneel Motion Sequence Sequential Stop Motion B W Photo Black And White Photograph
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Plate 453 captures a mesmerizing moment frozen in time, as two models gracefully kneel and drink from water-jars held delicately in their hands. This collotype print by Eadweard Muybridge is part of his groundbreaking series 'Animal Locomotion, ' published in 1887. Muybridge's pioneering work revolutionized the study of movement and became an early precursor to motion pictures. With this sequence of eight frames, he meticulously documented the fluidity and beauty of human motion, providing invaluable insights into the mechanics of locomotion. The photograph showcases the raw elegance of these female figures, who appear both vulnerable yet empowered in their nudity. Their bodies are captured with remarkable detail, emphasizing every curve and muscle as they lean forward to quench their thirst. The composition exudes a sense of tranquility amidst action, inviting viewers to contemplate the harmonious connection between human form and nature's life-giving element. The women's kneeling positions symbolize humility and reverence while engaging with something as essential as water – a universal symbol for purity and sustenance. This photograph serves not only as a scientific study but also as an artistic exploration of movement and grace. It invites us to appreciate both the physicality of our existence and the timeless allure found within Muybridge's revolutionary photographic sequences.
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