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Mouse Mat : Air, from the series The Four Elements, c. 1888-89
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Air, from the series The Four Elements, c. 1888-89
3280889 Air, from the series The Four Elements, c.1888-89 (pen & ink with wash over pencil on paper) by Smith, Frederick G. (19th century); 173.4x63.2 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Gift of Mrs. C.J. Martin for the Charles Jairus Martin Memorial Collection; British, out of copyright
Media ID 22987324
© Minneapolis Institute of Art Gift of Mrs. C.J. Martin for the Charles Jairus Martin Memorial Collection / Bridgeman Images
Concept Designs Element Elements Idealised Personification Stained Symbolism Pre Raphaelite
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 10.5cm x 23.7cm (4.1" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Air, from the series The Four Elements" takes us back to the late 19th century. Created by Frederick G. Smith, a British artist of that era, this pen and ink drawing with wash over pencil on paper measures an impressive 173.4x63.2 cm. The image showcases a window adorned with intricate designs and stained glass, through which we see an idealized female figure representing the element of air. This allegorical representation beautifully captures the concept of air as it was perceived during Victorian times. The woman depicted in this classical Pre-Raphaelite style is symbolic of beauty and purity, embodying the ethereal nature associated with air itself. Her nudity adds to her vulnerability while also emphasizing her connection to nature and freedom. Smith's attention to detail is evident in his meticulous rendering of every line and curve, creating a sense of depth and realism within this allegorical composition. Housed at the Minneapolis Institute of Arts in Minnesota, USA, this artwork was generously gifted by Mrs. C. J Martin for the Charles Jairus Martin Memorial Collection. As we gaze upon this stunning piece from our past, it serves as a reminder not only of artistic brilliance but also how art can transcend time and continue to inspire generations long after its creation.
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