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Mouse Mat : Plan and elevation of the Savoy buildings, London, 1736, 1816 (engraving)
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Plan and elevation of the Savoy buildings, London, 1736, 1816 (engraving)
5912698 Plan and elevation of the Savoy buildings, London, 1736, 1816 (engraving) by British School, (19th century); (add.info.: Plan and elevation of the Savoy, between the Strand and the Thames River, from a view taken in the year 1736 by George Vertue. Floorplan shows barracks, hospital, houses, gardens, burying ground, French church, German Lutheran church and dwellings. Copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1816.); © Florilegius
Media ID 25058486
© Florilegius / Bridgeman Images
1736 Barracks Duke Of Savoy Dwellings Elevation Floorplan French Church George Vertue Hospital Peter Repository Of Arts Rudolph Ackermann Savoy Strand Thames River Burying Ground Regency
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 13.9cm x 23.7cm (5.5" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving showcases the plan and elevation of the iconic Savoy buildings in London, as they appeared in 1736. The meticulous detail captured by British artist George Vertue transports us back to a time when this architectural marvel stood proudly between the Strand and the Thames River. The floorplan reveals a bustling complex that housed barracks, hospitals, houses, gardens, and even a burying ground. It was truly a self-contained community within the city walls. Additionally, two prominent churches are depicted - one French and one German Lutheran - highlighting the diverse religious landscape of London at that time. The copperplate engraving itself is a testament to Rudolph Ackermann's skillful craftsmanship and attention to detail. Published in his renowned Repository of Arts in 1816 during the Regency era, this print offers viewers an invaluable glimpse into London's rich architectural history. As we admire this stunning piece of art from Bridgeman Images' collection, we can't help but imagine what life must have been like for those who inhabited these grand structures centuries ago. This print serves as both an homage to Peter, Duke of Savoy's vision for this stately home and an enduring testament to the beauty and significance of historical architecture.
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