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Mouse Mat : Excommunication of the King of France Robert II called Robert the Pious (972-1031) in 998 to marry his cousin Berthe of Burgundy. End of the 19th century (chromolithograph)
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Excommunication of the King of France Robert II called Robert the Pious (972-1031) in 998 to marry his cousin Berthe of Burgundy. End of the 19th century (chromolithograph)
ELD4855792 Excommunication of the King of France Robert II called Robert the Pious (972-1031) in 998 to marry his cousin Berthe of Burgundy. End of the 19th century (chromolithograph); Private Collection; Photo © The Holbarn Archive
Media ID 38266300
© © The Holbarn Archive / Bridgeman Images
10 10th 10th X 10th Century 10 10th X Xth Century 10 Century 10 X X X X X 10th Century 11 11th 11th Xi 11th 11th Century 11 11th Xi Xith Century 11 Century 11th Century Burgundian Burgundy C10th C11th Eleventh Century Excommunication Sec Xi Tenth Century X Century Xi Century Xith Century Xth Century Isadora Lithos Litography
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18cm (9.3" x 7.1")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The chromolithograph print captures a pivotal moment in history - the excommunication of King Robert II, also known as Robert the Pious, in 998. The king's decision to marry his cousin Berthe of Burgundy went against the laws and customs of the time, leading to his punishment by the church.
In this stunning image from the end of the 19th century, we see King Robert kneeling before a group of clergy members, his head bowed in shame. The vibrant colors bring to life the drama and tension of this historical event, highlighting the power struggle between royalty and religious authority.
The intricate details in this lithograph showcase not only the elaborate robes and regalia worn by both King Robert and his accusers but also capture the emotions running high during this tumultuous period. The expressions on their faces tell a story of betrayal, defiance, and ultimately redemption.
As we gaze upon this piece of art, we are transported back in time to witness firsthand one of France's most controversial royal marriages. It serves as a reminder that even kings are not above reproach when it comes to matters of love and duty.
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