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Mouse Mat : Title page of the 1842 edition of the first volume of The Holy Land by Scottish artist David Roberts, 1796-1864, and Belgian lithographer Louis Haghe, 1806-1885
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Title page of the 1842 edition of the first volume of The Holy Land by Scottish artist David Roberts, 1796-1864, and Belgian lithographer Louis Haghe, 1806-1885
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Media ID 24897789
© Design Pics / Ken Welsh
Artist Artwork Black And White Image Book Books Christian Faith Circa 19th Century David Roberts Edition Incidental People Lithographer Lithography Louis Haghe Nineteenth Century Page Pages Painter Person Religious The Holy Land Title Page 1842 First Volume
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 16.9cm x 23.7cm (6.7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The title page of the 1842 edition of the first volume of The Holy Land is a captivating image that transports viewers back to the 19th century. This historic artwork, created by Scottish artist David Roberts and Belgian lithographer Louis Haghe, showcases their incredible talent and attention to detail. As we gaze upon this vertical composition, we are immediately drawn into the world of religious history. The intricate lithography captures every line and texture with precision, bringing life to each building depicted on the page. The architectural beauty showcased here reflects both the artistic skill of Roberts and Haghe as well as the significance of these structures in Christian faith. In this outdoor scene, incidental people can be seen scattered throughout, adding a sense of scale and human presence to an otherwise empty landscape. It is as if time has stood still for a moment while we explore this historical setting. This archival print serves as a window into another era - a testament to both artistry and historical documentation. As we turn its pages, we are transported through time, immersing ourselves in the rich tapestry of history that unfolds before us. Ken Welsh's expertly captured photograph preserves not only this remarkable piece but also our connection to centuries past. It reminds us that art has always been intertwined with our understanding of culture and religion - an everlasting bridge between generations.
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