Metal Print : Weber / Freischutz / Liebig5
Metal Prints from Mary Evans Picture Library
Weber / Freischutz / Liebig5
Act three, scene five : the shooting contest - the magic bullet is guided by the devil to Caspar, not the dove that Max is aiming at
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 613134
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10109794
1821 Aiming Bullet Caspar Contest Devil Dove Freischutz Guided Magic Opera Performed Shooting Weber
16"x24" (61x41cm) Metal Print
Experience the thrilling drama of Weber's opera "Freischütz" with our stunning Metal Prints from Media Storehouse, featuring this iconic image from Mary Evans Picture Library. Witness the intense moment from act three, scene five, where the magic bullet is guided by the devil to Caspar, instead of the dove that Max is aiming at. Our high-quality Metal Prints bring this captivating scene to life, with vibrant colors and exceptional detail that will make your artwork a true centerpiece. Order now and bring the magic of the opera into your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This image from the Mary Evans Picture Library transports us back to the historic world premiere of Carl Maria von Weber's opera "Der Freischütz" (The Marksman) at the Berlin National Theatre in 1821. In this dramatic scene from Act Three, Scene Five, titled "The Shooting Contest," Max, portrayed by tenor Liebig5, is participating in a contest to prove his love for his fiancée Agathe. However, things take an unexpected turn as the magic bullet, believed to be guided by a dove, is actually manipulated by the devil, Caspar, played by bass Weber. The tension in the scene is palpable as Max, with unwavering determination, aims at the dove perched on a branch, oblivious to the devil's deception. The other hunters, including the forester, are seen in the background, their eyes fixed on the contest, unaware of the supernatural intervention. The devil, disguised as a fellow hunter, smirks in the shadows, having successfully guided the bullet towards Caspar, who is hidden behind a tree. This moment, filled with suspense and intrigue, is a testament to the rich historical legacy of German Romantic opera. The opera's blend of folklore, supernatural elements, and passionate love story continues to captivate audiences worldwide, making "Der Freischütz" a must-see for opera enthusiasts and history buffs alike. The detailed costumes, authentic settings, and expressive facial expressions of the performers in this photograph offer a glimpse into the theatrical world of the early 19th century. This image not only provides a visual representation of the opera's iconic scene but also serves as a reminder of the enduring appeal of Weber's masterpiece.
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