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Metal Print : Porcelain service for the Empress of Russia 1778
Metal Prints From Mary Evans Picture Library
Porcelain service for the Empress of Russia 1778
Porcelain service for the Empress of Russia 1778.. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quantin, Paris, 1891
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14207769
© Florilegius / Mary Evans
Barre Crockery Edouardgarnier Gilt Pottery Softpasteporcelainofsevres Sugarbowl Teapot Vincent Taillandier
16"x20" (51x41cm) Metal Print
Bring a touch of imperial elegance to your home with our Media Storehouse Metal Prints featuring the Porcelain Service for the Empress of Russia 1778. This stunning image, sourced from Mary Evans Prints Online, showcases a chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres. The intricate details of the porcelain pieces, as used by the Empress Catherine II of Russia, come alive in vibrant colors on high-quality metal. Each print is printed on premium metal sheets using a dye sublimation process, ensuring a long-lasting and eye-catching display. Add a piece of history to your decor with this exquisite Metal Print from Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This exquisite chromolithograph print, created by Gillot from an illustration by Edouard Garnier in 1891, showcases the Porcelain Service for the Empress of Russia from 1778. The service, produced at the renowned Manufactory of Sevres in Paris, is a stunning example of the soft paste porcelain artistry of the time. The illustration features several pieces from the service, including a cup, plate, sugarbowl, and teapot, all adorned with intricate gold gilt decorations and delicate floral motifs. The cup and plate are depicted with a single rose and a spray of roses, respectively, while the sugarbowl and teapot are adorned with a barre and taillandier design, respectively. The Empress of Russia referred to in the title is most likely Catherine II, who ruled from 1762 to 1796. Porcelain services were highly prized possessions of the European aristocracy, and this one, with its elegant design and superior craftsmanship, would have been a fitting addition to Catherine's lavish court. The soft paste porcelain of Sevres was renowned for its translucent quality and ability to replicate the delicate colors and textures of natural flowers. The Manufactory of Sevres was founded in 1756 and quickly gained a reputation for producing some of the finest porcelain in Europe. This service for the Empress of Russia is a testament to the skill and artistry of the Manufactory's artisans and the enduring appeal of porcelain as a symbol of wealth and status in the 18th century.
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