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Metal Print : The Vine, Basingstoke, the seat of William John Chute

The Vine, Basingstoke, the seat of William John Chute



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The Vine, Basingstoke, the seat of William John Chute

The Vine, Basingstoke, the seat of William John Chute. House reformed by Chaloner Chute from designs by Webb, Inigo Jones son in law. Handcoloured copperplate engraving after an illustration by Hewetson from Rudolph Ackermanns Repository of Arts, London, 1825

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23389056

© Florilegius

Ackermann Architect Aristocracy Arts Basingstoke Capability Chute Fleming Gentry Hampshire Hewetson Hopper Ionic Landed Landscaped Member Neoclassical Parliament Portico Regency Repository Rudolph Seat Stately Vine


16"x24" (61x41cm) Metal Print

Bring the historic charm of The Vine, Basingstoke, home with our Media Storehouse Metal Prints. Featuring an exquisite image of The Vine, the seat of William John Chute, as captured by Mary Evans Picture Library from Mary Evans Prints Online, these metal prints offer a unique and modern twist to traditional art display. With vibrant colors and stunning detail, this image of The Vine, which was reformed by Chaloner Chute from designs by Inigo Jones, son-in-law, is sure to be a conversation starter in any room. Our high-quality metal prints are waterproof, scratch-resistant, and UV protected, ensuring your art lasts a lifetime. Elevate your decor and add a touch of history to your space with Media Storehouse Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > New Images August 2021

> Animals > Mammals > Muridae > House Mouse

> Architecture > Parliaments

> Architecture > Styles > Neoclassical Architecture

> Architecture > Styles > Regency Architecture

> Arts > Art Movements > Neoclassicism

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > B > John Brown

> Arts > Artists > B > William Brown

> Arts > Artists > F > Thomas Fleming

> Arts > Artists > J > Thomas Jones


EDITORS COMMENTS
The Vine, Basingstoke: A Regency-Era Neoclassical Masterpiece in Hampshire, England This stunning handcoloured copperplate engraving, created by Hewetson and published in Rudolph Ackermann's Repository of Arts in London in 1825, offers a captivating glimpse into the past, showcasing The Vine, the elegant seat of William John Chute in Basingstoke, Hampshire. The house, reformed by Chaloner Chute from designs by Inigo Jones' son-in-law, Thomas Webb, is a magnificent example of Regency-era neoclassical architecture. The Vine, with its grand Ionic portico, is surrounded by the beautiful Stoneham Park, which was landscaped by Capability Brown. The house's exterior boasts a stately appearance, with its symmetrical design, tall columns, and intricate details, reflecting the aristocracy and landed gentry's wealth and status. William John Chute, a Member of Parliament, would have entertained guests in the grand interiors of The Vine, which were not shown in this engraving. The house's gardens, with their meticulously designed layouts and lush greenery, would have provided a tranquil retreat for its inhabitants. Thomas Hopper, a renowned architect of the time, is believed to have overseen the construction of The Vine's gardens, further enhancing the property's allure. The combination of the house's neoclassical architecture, landscaped gardens, and picturesque surroundings makes The Vine a true regal gem in the heart of Hampshire.

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