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Metal Print : South view of the Bloody Tower within the Tower of London
Metal Prints from Mary Evans Picture Library
South view of the Bloody Tower within the Tower of London
South view of the Bloody Tower within the Tower of London. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1798
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23390780
© Florilegius
1685 Antiquaries Antiquities Battersea Bloody Bust Cherubs Drapes Environs Fight Folder Marys Member Moors Sewell Simco Tiger Smith
16"x20" (51x41cm) Metal Print
Bring history to life with our exquisite Metal Prints from Media Storehouse. This captivating image of the South view of the Bloody Tower within the Tower of London, taken from the Mary Evans Picture Library, is a stunning example of the intricate detail and timeless beauty of a copperplate engraving. Originally drawn by members of the Society of Antiquaries, this piece by John Thomas Smith transports you back in time, offering a unique perspective of one of London's most iconic landmarks. Our high-quality Metal Prints are not only visually stunning but also durable, making them a perfect addition to any home or office space. Immerse yourself in history with this beautiful piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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South View of the Bloody Tower within the Tower of London
EDITORS COMMENTS
is a captivating copperplate engraving by John Thomas Smith, based on original drawings by members of the Society of Antiquaries. This historical image offers a detailed and evocative depiction of the Bloody Tower, a significant monument within the greater Tower of London complex. The Tower of London, a historic fortress located in central London, has a rich and complex history, serving variously as a royal palace, prison, armory, and even a menagerie. The Bloody Tower, specifically, is renowned for its association with the tragic story of the Princes in the Tower, the mysterious disappearance of Edward V and his younger brother Richard, Duke of York, in 1483. In this engraving, Smith masterfully captures the South view of the Bloody Tower, with its imposing walls and the looming presence of St. Mary-at-Hill Church in the background. The tower's name is derived from the bloody deeds that allegedly took place within its walls, including the execution of Sir Edward Wynter, a courtier, in 1685. The engraving reveals intricate details, such as the ornate bust of a figure, possibly a cherub, adorned with drapes, and the fight scene between a tiger and a moor depicted on the wall. The image also showcases the architectural beauty of the Tower, with its intricate brickwork and the contrast between the dark, foreboding structure and the lighter, more ornate elements. This image, produced by John Thomas Smith in 1798, serves as a testament to the rich history and architectural significance of the Tower of London and the Bloody Tower within it. The copperplate engraving, based on original drawings by members of the Society of Antiquaries, offers a detailed and evocative glimpse into the past, transporting us back to a time of intrigue, mystery, and grandeur.
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