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Metal Print : Russian Orthodox church abbot and monk
Metal Prints From Mary Evans Picture Library
Russian Orthodox church abbot and monk
Russian Orthodox church abbot and monk. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Florence, 1847
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23174202
© Florilegius/Mary Evans
Abbot Ferrario Giulio Monk Orthodox Peoples Priest
16"x24" (61x41cm) Metal Print
Bring the rich history and spirituality of the Russian Orthodox faith into your home with our exquisite Metal Prints featuring this hand-colored copperplate engraving of a church abbot and monk from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, published in Florence in 1847. This stunning image, sourced from Mary Evans Prints Online, is now available in our premium Metal Print collection. Each print is meticulously printed on high-quality aluminum sheets using dye-sublimation technology, ensuring vibrant colors and exceptional detail. The sleek, modern design of the Metal Print complements the timeless beauty of this historical image, creating a unique and captivating piece of art for your wall. Order now and bring a piece of the past into your present.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This handcoloured copperplate engraving by Giarre and Stanghi, from Giulio Ferrario's "Costumes Ancient and Modern of the Peoples of the World," published in Florence in 1847, offers a fascinating glimpse into the traditional attire and spiritual role of a Russian Orthodox church abbot and monk during the mid-19th century. The abbot, depicted in the foreground, is dressed in the full regalia of his ecclesiastical position. He wears a long, flowing robe, known as a "rasonica," which is adorned with intricate gold embroidery and icons. A pectoral cross hangs around his neck, and a mitre sits atop his head, signifying his position as an abbot – the head of a monastery. The monk, in the background, is dressed in the traditional garb of a Russian Orthodox monk. He wears a long, brown robe, known as a "riassa," which is fastened with a leather belt. A cowl covers his head, and a wooden staff, or "pokutnitsa," is in his right hand. The monk's face displays a solemn expression, reflecting his dedication to a life of prayer and contemplation. The intricate details of this engraving, from the gold embroidery on the abbot's robe to the textured folds of their robes, provide a captivating window into the past. The image offers a glimpse into the rich history and traditions of the Russian Orthodox Church, and the important role of its spiritual leaders. This historical illustration is a testament to the enduring significance of religious iconography and the importance of preserving cultural heritage.
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