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Metal Print : Flesh-colour d crane s-bill, Erodium incarnatum

Flesh-colour d crane s-bill, Erodium incarnatum



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Flesh-colour d crane s-bill, Erodium incarnatum

Flesh-colour d crane s-bill, Erodium incarnatum. Handcoloured copperplate engraving by Sansom after an illustration by Sydenham Edwards from William Curtis Botanical Magazine, London, 1794

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23160666

© Florilegius/Mary Evans

Cranes Bill Curtis Edwards Erodium Sansom Sydenham


16"x24" (61x41cm) Metal Print

Bring the beauty of nature into your home with our exquisite Metal Prints from Media Storehouse. This particular print showcases the intricate details of a Flesh-coloured Crane's Bill (Erodium incarnatum), captured in a handcoloured copperplate engraving by Sansom after an illustration by Sydenham Edwards from the esteemed Botanical Magazine of 1794. Each Metal Print is meticulously crafted, resulting in a stunning, vibrant, and long-lasting image that adds a touch of elegance and sophistication to any space. With its rich history and timeless charm, this Rights Managed print from Mary Evans Prints Online is a must-have for nature enthusiasts and art collectors alike.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > New Images August 2021

> Arts > Literature > Magazines

> Arts > Portraits > Botanical illustrations > Fine art

> Arts > Realistic drawings > Botanical illustrations > Fine art


EDITORS COMMENTS
This exquisite hand-colored copperplate engraving showcases the Flesh-coloured Crane's Bill, Erodium incarnatum, a beautiful and intricately designed flowering plant. The engraving, created by Sansom after an illustration by Sydenham Edwards, was first published in the esteemed Botanical Magazine of London in 1794, under the direction of William Curtis. The Flesh-coloured Crane's Bill is a native of the Mediterranean region and is characterized by its distinctive pink or red, five-petaled flowers, which resemble the bill of a crane. The plant's leaves are lanceolate and fleshy, with a greenish-gray hue that blends seamlessly with the earth, making it an excellent groundcover in gardens. The intricate detailing of the engraving brings out the delicate textures and patterns of the plant's leaves and flowers, making it a true work of art. The meticulous shading and use of color give the image a lifelike quality, allowing viewers to appreciate the beauty and complexity of the Flesh-coloured Crane's Bill in all its glory. This engraving is a testament to the dedication and expertise of the botanical illustrators and engravers of the time, who worked tirelessly to accurately document and preserve the natural world for future generations. The Botanical Magazine, under the leadership of William Curtis, was a pioneer in the field of botanical illustration, and this engraving is a prime example of its contributions to the scientific and artistic record of the natural world.

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