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Metal Print : Colonel Barker - Valerie Smith
Metal Prints from Mary Evans Picture Library
Colonel Barker - Valerie Smith
Page from The Graphic reporting on the case of Colonel Barker (aka John Hill and Geoffrey Norton), who was born Lilias Irma Valerie Barker in 1895. Barker married and had children but later lived life as a man and as an ex-army officer. Date: 1929
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23400176
© Illustrated London News Ltd/Mary Evans Illustrated London News Ltd/Mary Evans
Barker Colonel Dressing Gender Geoffrey Holloway Identity Irma Norton Nov20 Prison Scandal Scandalous Swap Valerie 1929 Lgbt Lgbtq Smith Transgender
16"x24" (61x41cm) Metal Print
Bring history to life with our exquisite Metal Prints featuring Colonel Barker - Valerie Smith by Rights Managed from Mary Evans Prints Online. This captivating image, originally published in The Graphic, tells the intriguing story of Lilias Irma Valerie Barker, who lived her life as Colonel Barker, John Hill, and Geoffrey Norton. Our premium Metal Prints elevate this vintage photograph with stunning vibrancy and depth, making it an extraordinary addition to any wall. Relive history in a whole new light with Media Storehouse's Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Colonel Barker, the enigmatic figure once known as Valerie Smith, born Lilias Irma Barker in 1895, poses confidently for this photograph, concealing the extraordinary secrets of his past. The image, published in The Graphic on November 20, 1929, captures Barker as 'Colonel Geoffrey Norton, ex-army officer and retired businessman.' However, this was far from the truth. Barker had lived a double life, first as a woman and wife, then as a man and an army officer. Born as Valerie, she married and had children, but in later years, she began to live as a man, adopting the identities of John Hill and later, Geoffrey Norton. Her gender swap was a closely guarded secret, known only to a select few. The deception came crashing down in 1929 when Barker was arrested and sent to Holloway Prison. The sensational case made headlines, with the press reporting on the scandalous details of her past. The public was shocked and fascinated by the story of the woman who had lived as a man, and the man who had been a woman. Despite the scandal, Barker continued to live as a man, maintaining the façade of a retired army officer and businessman. The photograph, taken during this period, shows a man who exudes an air of authority and confidence, a stark contrast to the woman she once was. The image serves as a poignant reminder of the complexities of identity and the lengths some people will go to live authentically. It also highlights the societal attitudes towards gender and sexuality during the late 1920s, an era when such stories were considered scandalous and taboo.
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