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Metal Print : Burning of Kumasi, February 1874, Third Anglo-Ashanti War or First Ashanti Expedition

Burning of Kumasi, February 1874, Third Anglo-Ashanti War or First Ashanti Expedition



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Burning of Kumasi, February 1874, Third Anglo-Ashanti War or First Ashanti Expedition

Burning of Kumasi, February 1874, Third Anglo-Ashanti War or First Ashanti Expedition (1873-1874, to rescue European missionary captives held in Kumasi), West Africa (Ghana). Date: 1874

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23458308

© Mary Evans Picture Library

1874 Anglo Ashantee Ashanti Burning Capture Coomassie Ghana Kumasi Rescue


16"x24" (61x41cm) Metal Print

Experience the rich history of the Third Anglo-Ashanti War with our stunning Metal Print of "The Burning of Kumasi" by Terry Parker. This captivating image, sourced from Mary Evans Prints Online, transports you back to February 1874 during the First Ashanti Expedition. Witness the intensity of the battlefield as flames engulf the once-majestic capital city of the Ashanti Empire. Our high-quality Metal Prints bring history to life with their vibrant colors, exceptional clarity, and the unique textured finish of the metal surface. Add this historical masterpiece to your home or office décor and ignite a conversation about the past.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
This evocative image captures the aftermath of the Burning of Kumasi during the Third Anglo-Ashanti War, also known as the First Ashanti Expedition, which took place from 1873 to 1874 in West Africa, now modern-day Ghana. The British military, led by Sir Garnet Wolseley, embarked on this expedition to rescue European missionary captives held in the Ashanti capital, Kumasi. In the photograph, the once-majestic royal palace of the Ashanti King, Prempeh I, lies in ruins. The flames of the burning palace cast an ominous glow over the scene, while British soldiers and troops stand victoriously in the foreground. The Ashanti people, known for their rich cultural heritage and formidable military prowess, had put up a fierce resistance against the invading forces. However, the superior firepower and tactical advantages of the British ultimately led to their defeat and the capture of the Ashanti capital. The Burning of Kumasi marked a significant turning point in the history of the British colonial expansion in West Africa. It not only secured the release of the European missionaries but also paved the way for the establishment of British control over the Ashanti region. The photograph serves as a poignant reminder of the complex and often tumultuous history of colonialism and its far-reaching consequences. Taken by the renowned photographer Terry Parker, this image offers a unique glimpse into the past, providing valuable insights into the military campaigns and cultural encounters that shaped the 1870s in West Africa.

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