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Metal Print : Menelik Ii / Ethiopia / Rire
Metal Prints from Mary Evans Picture Library
Menelik Ii / Ethiopia / Rire
MENELIK II Emperor of Ethiopia (1889-1913) - a satirical view
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 617717
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10084666
1844 1889 Brimmed Ethiopia Ethiopian Lips Menelik Rire Satirical Wide
16"x20" (51x41cm) Metal Print
Bring history to life with our stunning Metal Prints from the Media Storehouse collection, featuring this intriguing image of Menelik II, Emperor of Ethiopia (1889-1913) from Mary Evans Picture Library. This satirical view, titled "Rire," adds a unique and captivating twist to the story of this remarkable historical figure. Our high-quality Metal Prints are known for their vibrant colors, sharp details, and long-lasting durability. Each print is meticulously printed on a lightweight aluminum sheet, ensuring a sleek and modern look that adds depth and texture to any room. Elevate your home or office decor with this thought-provoking and visually striking piece of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Africa
> Ethiopia (Abyssinia)
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> Ethiopia
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> Mammals
> Nesomyidae
> Fat Mouse
EDITORS COMMENTS
Menelik II, the Regal Rire of Ethiopia (1889-1913): A Satirical Perspective Menelik II, born in 1844, was the emperor of Ethiopia from 1889 until his death in 1913. Known for his military prowess and diplomatic skills, Menelik II expanded the Ethiopian Empire to its greatest extent, incorporating territories in what is now Eritrea, Somalia, and Sudan. This photograph, however, offers a satirical view of the emperor, capturing him in a moment of leisurely repose. The image shows Menelik II wearing a brimmed hat, a common accessory for Ethiopian emperors, but his regal attire is contrasted by his wide, exaggerated lips and plump figure. The satirical tone is further emphasized by the title 'Rire,' a French term for 'laugh' or 'joke.' Despite the lightheartedness of the photograph, Menelik II's reign was marked by significant achievements. He implemented political and economic reforms, modernized the Ethiopian army, and maintained diplomatic relations with European powers, including Italy, France, and Great Britain. Menelik II's reign is considered a golden age in Ethiopian history, and his legacy continues to be celebrated in the country today. This satirical photograph, however, serves as a reminder that even the most powerful and revered figures in history were not immune to the playful jests and caricatures of their time. The image invites us to consider the complexities of historical figures and the multiple perspectives that can shape our understanding of the past.
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