Metal Print : The King of Ashantis bed, 1874
Metal Prints from Mary Evans Picture Library
The King of Ashantis bed, 1874
A British soldier looks into the bedchamber of the King of Ashanti which has a raised four poster bed with a canopy. In 1873, after decades of an uneasy relationship between the British and the Acing people of central Ghana, the British attacked and virtually destroyed the Asanti capital of Kumasi, and officially declared Ghana a crown colony on 24 July 1874
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 4398555
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10221739
1873 1874 Acing Asanti Ashanti Attacked Bed Chamber Canopy Capital Colony Decades Declared Destroyed Ghana Kumasi Officially Raised Relationship Uneasy Virtually
16"x20" (51x41cm) Metal Print
Bring the rich history of the past into your modern home with our Media Storehouse Metal Prints featuring "The King of Ashanti's Bedchamber," an iconic image from Mary Evans Prints Online. This captivating photograph, taken in 1874, captures the essence of a bygone era as a British soldier gazes into the chamber of the King of Ashanti's grand four-poster bed, adorned with an intricate canopy. Our high-quality metal prints are not just beautiful works of art, but also durable and long-lasting, making them an excellent addition to any room in your house. Relive history with this stunning piece, available now at Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 45.8cm x 40.6cm (18" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print captures a pivotal moment in history as a British soldier gazes into the bedchamber of the King of Ashanti in 1874. The image showcases the opulence and grandeur of the king's raised four-poster bed with a majestic canopy, symbolizing power and authority.
The context behind this scene is crucial to understanding its significance - after years of strained relations between the British and the Acing people of central Ghana, tensions finally boiled over in 1873. The British launched an attack on Kumasi, virtually destroying the Asanti capital and marking a turning point in Ghana's history.
On July 24, 1874, Ghana was officially declared a crown colony by the British government, solidifying their control over the region. This photograph serves as a poignant reminder of colonialism's impact on indigenous cultures and traditions.
As we reflect on this historical moment captured through this powerful image, we are reminded of the complexities and consequences of imperialism. The King of Ashanti's bed stands as both a symbol of his sovereignty and a testament to the turbulent times that shaped Ghana's past.
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