Metal Print : Kapaes, The Court Jester & flatterer a
Metal Prints from Mary Evans Picture Library
Kapaes, The Court Jester & flatterer a
In ordinary to the King No Bengulu. April 1870. Sketch 81 from a collection of original sketches by Thomas Baines, (1859-1871)
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8604085
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10709777
1820 1875 Anthropology Baines Exploration Indigenous People John Thomas John Thomas Baines Native People Court Jester
16"x20" (51x41cm) Metal Print
Introducing the Media Storehouse Metal Prints featuring Kapaes, The Court Jester & Flatterer, an enchanting image from the past. This exquisite print, sourced from Mary Evans Prints Online, showcases a Rights Managed sketch by Thomas Baines titled "In Ordinary to the King No Bengulu" from his collection created in April 1870. Our high-quality Metal Prints transform your favorite images into stunning, vibrant works of art, adding a unique and modern touch to any space. Bring the charm of Kapaes, the court jester, into your home or office with this captivating Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative image captures Kapaes, the court jester and flatterer, in the presence of King No Bengulu during the Victorian era in the nineteenth century. The photograph, titled Sketch 81, is part of a collection of original sketches created by the renowned British explorer and artist, John Thomas Baines, between 1859 and 1871. Baines, who was known for his extensive travels and explorations in Southern Africa, captured the essence of this native figure with remarkable detail and authenticity. Dressed in a colorful costume, Kapaes is shown with a mischievous grin on his face, holding a gourd filled with seeds. His role as a court jester and flatterer would have been to entertain and amuse the King and his court, as well as to provide insight and advice through the use of wit and humor. The photograph offers a glimpse into the complex social dynamics of the indigenous communities during this period of exploration and anthropological study. Kapaes' presence at the court of King No Bengulu underscores the importance of the arts and entertainment in the lives of these people, even amidst the larger historical context of colonialism and the encroachment of European influence. Baines' skillful depiction of Kapaes and other native figures in his sketches has made them invaluable resources for scholars and historians seeking to understand the cultural and historical significance of this period in African history. This photograph, in particular, stands as a testament to the resilience and adaptability of indigenous peoples in the face of profound historical change.
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