Metal Print : Jesus is abandoned by his disciples, who fled, except a youn
Metal Prints From Mary Evans Picture Library
Jesus is abandoned by his disciples, who fled, except a youn
Jesus is abandoned by his disciples, who fled, except a young man who clings to his clothes. Codex of Predis (1476). Royal Library. Turin. Italy
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14321201
© Thaliastock / Mary Evans
Abandoned Catholicism Christ Christopher Codex Cristoforo Disciples Illuminated Jesus Manuscript Predis Renaissance 15th
16"x20" (51x41cm) Metal Print
Experience the profound depth of the human condition with our Media Storehouse Metal Prints featuring the haunting image of 'Jesus Abandoned by His Disciples,' from the Codex of Predis (1476), Royal Library, Turin, Italy. This evocative work of art, obtained from Mary Evans Prints Online, captures the poignant moment when Jesus is forsaken by his disciples, leaving only a young man clinging to his clothes. Our high-quality metal prints bring out the intricate details and rich colors of this rights-managed image, making it a captivating addition to any space. Let this powerful piece spark reflection and conversation in your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This haunting 15th-century illustration, taken from the Codex of Predis, depicts a forlorn and abandoned Jesus as he is left alone on the road to Calvary. The image, held in the Royal Library of Turin, Italy, is a poignant reminder of the moment when Jesus' disciples forsook him in his time of greatest need, save for a young man who clings to his clothes in the background. The Codex of Predis is an illuminated manuscript, produced during the Renaissance period in Italy. It is believed to have been created around 1476 by the artist Cristoforo di Geremia, who was known for his intricate and detailed miniatures. The manuscript is a significant work of medieval art, showcasing the artistic and religious sensibilities of the time. The scene depicted in the image is a well-known episode from the Passion of Christ, recounted in all four Gospels. As Jesus was led away to be crucified, his disciples deserted him, leaving him alone and vulnerable. This moment of betrayal and abandonment is a powerful reminder of the human condition and the frailty of faith. The young man in the background, who is the only disciple to remain with Jesus, is a symbol of unwavering loyalty and devotion. His presence in the image adds a note of hope and redemption to the otherwise bleak scene. The Codex of Predis is a testament to the enduring power of religious art to inspire and move us, even after more than five centuries.
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