Metal Print : George Malcolm talking with David Pinto (treble)
Metal Prints From Mary Evans Picture Library
George Malcolm talking with David Pinto (treble)
George Malcolm talking with David Pinto (treble) during rehearsals for the Choral and Orchestral Concert in the Aldburgh Parish Church (24 June), Aldeburgh Festival 1962 Date: 1962
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14142493
© Walter Rawlings/Mary Evans Picture Library
1962 Aldeburgh Festival Harpsichord Malcolm Pinto Treble Harpsichordist
16"x20" (51x41cm) Metal Print
Bring the magic of the Aldeburgh Festival 1962 to your home with our stunning Metal Prints from Media Storehouse. This exclusive image captures the moment of deep conversation between renowned conductor George Malcolm and young treble David Pinto during rehearsals for the Choral and Orchestral Concert in the Aldeburgh Parish Church. Printed on high-quality metal, this artwork not only showcases the classic black and white photograph but also offers a contemporary and sleek look. Relive the rich musical history and add a touch of timeless elegance to your space with our George Malcolm and David Pinto Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this evocative black-and-white photograph, renowned harpsichordist George Malcolm engages in a deep conversation with treble soloist David Pinto during rehearsals for the Choral and Orchestral Concert at Aldeburgh Parish Church, as part of the Aldeburgh Festival in 1962. The image captures a moment of intense focus and collaboration between two distinguished musicians, as they prepare to bring music to life for an eager audience. George Malcolm, a British musician and conductor, was a leading figure in the revival of interest in early music during the mid-20th century. His expertise on the harpsichord and his advocacy for the performance of Baroque music on authentic instruments helped to establish him as a pioneer in the field. Malcolm's collaborations with other musicians, such as Pinto, were a testament to his dedication to authenticity and his commitment to exploring the rich musical heritage of the past. David Pinto, a treble soloist of exceptional talent, was a regular performer at the Aldeburgh Festival during the 1960s. In this photograph, he is seen wearing a simple white shirt and a serious expression, fully immersed in the conversation with Malcolm. The image suggests the depth of their musical connection and the importance of their collaboration in bringing the music of the past to life for contemporary audiences. The setting of the photograph, with its high ceilings, stained-glass windows, and ornate wooden pews, underscores the sacred and reverential nature of the musical event. The image transports us back to a time when music was a communal experience, shared between performers and audiences in intimate and historic spaces. This photograph is a precious reminder of the enduring power of music to connect us with the past and to inspire us in the present.
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