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Metal Print : The Field of Waterloo the Morning after the Battle
Metal Prints From Mary Evans Picture Library
The Field of Waterloo the Morning after the Battle
The Field of Waterloo as it appeared the Morning after the Memorable Battle of the 18th June 1815.Coloured aquatint by M Dubourg after John Heaviside Clark, published by Edward Orme, Bond Street, London 18 Jan 1817. Associated with Napoleonic Wars, Waterloo (1815). Coloured Aquatint Date: 1815
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14233849
© The National Army Museum / Mary Evans Picture Library
1815 Appeared Aquatint Bond Clark Memorable Morning Napoleonic Orme Wars Waterloo Dubourg
16"x24" (61x41cm) Metal Print
Experience history come to life with our stunning Metal Prints from Media Storehouse, featuring The Field of Waterloo the Morning after the Battle by Rights Managed from Mary Evans Prints Online. This captivating image, an exquisite coloured aquatint by M. Dubourg after John Heaviside Clark, published by Edward Orme, Bond Street, transports you back to the memorable scene of the Battle of Waterloo on June 18, 1815. The intricate details and vibrant colours are beautifully preserved on high-quality metal, making this print a unique and impressive addition to any space. Relive history in a whole new light with our Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The Field of Waterloo: A Panoramic View of the Battlefield the Morning after the Fateful Encounter on June 18, 1815 This evocative and meticulously detailed coloured aquatint, titled "The Field of Waterloo as it appeared the Morning after the Memorable Battle of the 18th June 1815," offers a breathtaking glimpse into the aftermath of one of the most significant military engagements in European history. The image, created by the skilled hand of M. Dubourg, after the original painting by John Heaviside Clark, and published by Edward Orme in London in 1817, invites us to explore the battlefield as it lay silent and still in the early hours following the Napoleonic Wars' climactic clash between the French and the Seventh Coalition forces. The panoramic view reveals the vast expanse of the battlefield, strewn with the remnants of war: horses and men, both victorious and vanquished, lie intermingled amidst the debris of battle. The once-fierce lines of troops have dissipated, leaving only the ghostly outlines of their encampments. The smoke from the previous day's cannon fire has begun to clear, revealing a landscape scarred by the brutal conflict that transpired. The image serves as a poignant reminder of the human cost of war, as well as a testament to the indomitable spirit of those who fought. The Field of Waterloo, as depicted in this aquatint, stands as a powerful symbol of the historical significance of the Battle of Waterloo and the end of the Napoleonic Wars.
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