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Fine Art Print : The Field of Waterloo the Morning after the Battle
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The Field of Waterloo the Morning after the Battle
The Field of Waterloo as it appeared the Morning after the Memorable Battle of the 18th June 1815.Coloured aquatint by M Dubourg after John Heaviside Clark, published by Edward Orme, Bond Street, London 18 Jan 1817. Associated with Napoleonic Wars, Waterloo (1815). Coloured Aquatint Date: 1815
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Media ID 14233849
© The National Army Museum / Mary Evans Picture Library
1815 Appeared Aquatint Bond Clark Memorable Morning Napoleonic Orme Wars Waterloo Dubourg
21"x14" (+3" Border) Fine Art Print
Experience the historical significance of the Battle of Waterloo with our exquisite Fine Art Print from Media Storehouse, featuring the captivating image "The Field of Waterloo the Morning after the Battle" by M. Dubourg after John Heaviside Clark. This beautifully colored aquatint, published by Edward Orme, offers a unique perspective of the iconic battlefield as it appeared on the morning of June 18, 1815. Add this stunning piece of art to your collection and bring a piece of history into your home or office.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 53.3cm x 35.5cm (21" x 14")
Estimated Product Size is 68.6cm x 50.8cm (27" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The Field of Waterloo: A Panoramic View of the Battlefield the Morning after the Fateful Encounter on June 18, 1815 This evocative and meticulously detailed coloured aquatint, titled "The Field of Waterloo as it appeared the Morning after the Memorable Battle of the 18th June 1815," offers a breathtaking glimpse into the aftermath of one of the most significant military engagements in European history. The image, created by the skilled hand of M. Dubourg, after the original painting by John Heaviside Clark, and published by Edward Orme in London in 1817, invites us to explore the battlefield as it lay silent and still in the early hours following the Napoleonic Wars' climactic clash between the French and the Seventh Coalition forces. The panoramic view reveals the vast expanse of the battlefield, strewn with the remnants of war: horses and men, both victorious and vanquished, lie intermingled amidst the debris of battle. The once-fierce lines of troops have dissipated, leaving only the ghostly outlines of their encampments. The smoke from the previous day's cannon fire has begun to clear, revealing a landscape scarred by the brutal conflict that transpired. The image serves as a poignant reminder of the human cost of war, as well as a testament to the indomitable spirit of those who fought. The Field of Waterloo, as depicted in this aquatint, stands as a powerful symbol of the historical significance of the Battle of Waterloo and the end of the Napoleonic Wars.
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