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Metal Print : Cartoon, theatre managers and Queen Victoria
Metal Prints from Mary Evans Picture Library
Cartoon, theatre managers and Queen Victoria
Cartoon, theatre managers (Irving, Toole, James and Bancroft) besieging Queen Victoria at Windsor. Now that a rumour has gone abroad that Her Majesty will one more give theatrical entertainments at Windsor, she mustn t feel surprised if she is a little worried by theatre managers.
1881
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14310222
© Terry Parker / Mary Evans Picture Library
1881 Bancroft Besieging Bryan Crust Eager Entertainments Entracte Irving Keen Majesty Management Manager Managers Punch Rumour Siege Terrace Toole Windsor Clamouring Upper
16"x20" (51x41cm) Metal Print
Bring a touch of historical whimsy to your home or office with our Media Storehouse Metal Prints featuring the iconic cartoon by Terry Parker / Mary Evans Picture Library. This intriguing image captures a humorous moment in time as Queen Victoria is besieged by theatre managers Sir Henry Irving, Charles Wyndham, J.P. Kemble, and B.C. Stevenson, who have heard a rumor that she will once again grant theatrical entertainments at Windsor. Add this unique piece to your collection and relive the theatrics of the past with the vibrant colors and stunning clarity of our metal prints. Each print is individually crafted using high-quality metal sheets and UV-protected inks, ensuring a long-lasting and eye-catching display. Experience the art of the past in a modern way with Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this intriguing 1881 cartoon from Punch magazine, Queen Victoria finds herself besieged by theatre managers Irving, Toole, James, and Bancroft at Windsor Castle. The rumour that Her Majesty would once again grant theatrical entertainments at the castle has spread, and these eager and keen managers, represented as a rambunctious mob, clamour for her attention on the castle terrace. The scene is set against the backdrop of the Victorian era, with the upper crust of society eagerly consuming the arts and entertainment. Irving, Toole, James, and Bancroft, some of the most prominent theatre managers of the time, are depicted in the cartoon as a formidable force, determined to secure a royal audience. The queen, portrayed in her regal attire, looks somewhat alarmed and overwhelmed by the theatre managers' relentless pursuit. They are shown bringing a large upper crust pie, a popular theatrical prop of the time, as an offering to the monarch. The cartoon's title, "Entr'acte," suggests that this scene is taking place during a break in the royal entertainment, adding to the whimsical and lighthearted tone of the image. Despite the playful nature of the cartoon, it also highlights the power dynamics at play between the monarchy and the entertainment industry during the Victorian era. The theatre managers' eagerness to secure a royal audience underscores the importance of royal patronage in legitimizing and promoting the arts. This cartoon, with its historical significance and witty commentary on Victorian society, offers a fascinating glimpse into the world of 19th-century British royalty and theatre management.
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